| Blue Blood | |
|---|---|
 Theatrical release poster | |
| Directed by | Andrew Sinclair |
| Produced by | John Trent Kent Walwin |
| Written by | Andrew Sinclair |
| Based on | The Carry-Cot by Alexander Thynn |
| Starring | Oliver Reed Fiona Lewis Derek Jacobi Anna Gaël Meg Wynn Owen |
| Music by | Brian Gascoigne |
| Cinematography | Harry Waxman |
| Edited by | Keith Palmer |
| Productioncompany | Mallard Productions |
| Distributed by | Mallard Productions |
| Release date | 1973 |
| Running time | 86 minutes[1] |
| Country | United Kingdom[1] |
| Language | English |
«Голубая кровь» - британский фильм ужасов 1973 года режиссера Эндрю Синклера с Оливером Ридом , Фионой Льюис и Дереком Якоби в главных ролях. [2] Он был основан на романе переносной люльки по Александр Thynn и был застрелен на месте в Лонглит Хауз в Уилтшире . [3]
Сюжет [ править ]
Gregory, a young aristocrat with a country mansion, engages German nanny Beate to look after his children while he pursues a life of debauchery with his mistress Carlotta and their high-society friends. He entrusts the running of the household to his menacing butler, Tom, who scorns his master's progressive attitudes and plots to take control. Tom uses dark magic against Beate, giving her visions of a Satanic ritual involving the sacrifice of Gregory's son. When Gregory's wife Lily finds their children injured, she accuses Beate of harming them and demands that Gregory dismiss her; he refuses, and Lily leaves the mansion. Tom passes the visions on to Gregory, whose mind is broken when he pictures Tom sacrificing his son. Beate leaves the mansion and Lily returns as its new mistress.
Cast[edit]
- Oliver Reed as Tom
- Fiona Lewis as Lily
- Derek Jacobi as Gregory
- Anna Gaël as Carlotta
- Meg Wynn Owen as Beate
- John Rainer as Clurman
- Richard Davies as Jones
- Gwyneth Owen as Agnes
- Patrick Carter as Cocky
- Elaine Ives-Cameron as Serena
- Tim Wylton as Morrell
- Hubert Rees as Dr Barratt
- Dilys Price as Mrs Barratt
- Andrew McCall as Gerrard
- Sally Anne Newton as Susannah
Critical response[edit]
In a contemporary review, Richard Combs of The Monthly Film Bulletin described Blue Blood as a series of "cheap, coarsely-filmed charades" and criticised the film's direction: "once Sinclair gets down to working out his theme (black-blooded butler usurps degenerate, blue-blooded employer), the skimpiness of his material and the shoddiness of this TV-sketch technique become painfully evident." He added that Reed's performance made the character Tom "one of the most physically repellent of screen villains".[1]
References[edit]
- ^ a b c Combs, Richard (January 1975). "Blue Blood". The Monthly Film Bulletin. Vol. 42 no. 492. London, UK: British Film Institute. p. 5. ISSN 0027-0407. OCLC 2594020.
- ^ "Blue Blood". horrorpedia.com. Retrieved 30 May 2016. CS1 maint: discouraged parameter (link)
- ^ Rigby p. 260
Bibliography[edit]
- Rigby, Jonathan. English Gothic: A Century of Horror Cinema. Reynolds & Hearn, 2000.
External links[edit]
- Blue Blood at IMDb
