Семья Терри была британской театральной династией конца 19 века и позже. В семью входят не только члены с фамилией Терри, но также Нейлсоны, Крейгсы и Гилгуды, с которыми Терри были связаны браком или кровными узами.
Династия была основана актером Бенджамином Терри и его женой Сарой. Первым членом семьи, добившимся национального признания, была их старшая выжившая дочь Кейт . Ее младшая сестра Эллен добилась международной известности в партнерстве с Генри Ирвингом . Эллен Терри считалась величайшей звездой семьи на протяжении многих десятилетий, но ее внучатый племянник Джон Гилгуд прославился, по крайней мере, с 1930-х до конца 20-го века. Среди тех членов семьи, которые не стали актерами, Гордон Крейг , сын Эллен, был всемирно известным театральным дизайнером и режиссером.
Членам семьи, которые были профессионально связаны с театром в качестве артистов, дизайнеров или менеджеров, даны отдельные абзацы ниже. Другие члены семьи упоминаются в тексте.
Семейное древо
График ниже упрощен, чтобы показать самых известных членов семьи. Например, на нем изображены только трое из восьми детей Гордона Крейга. Имена актеров и других лиц, связанных с театром, показаны заглавными буквами.
Первое поколение
Бенджамин Терри и Сара Баллард
Бенджамин Терри (1817–1896) [№ 1] был умеренно успешным актером середины XIX века. Его отец, также называемый Бенджамином, трактирщик, женился на Кэтрин Кроуфорд в 1838 году. Жена младшего Бенджамина, Сара, урожденная Баллард (1819–1892), была дочерью Питера Балларда, строителя и мастера Сойера , работавшего в Портсмуте . [n 2] У нее не было театральных связей до того, как она встретила Терри и вышла за него замуж без ведома родителей. [2] Она стала актрисой, взяв сценический псевдоним «Мисс Йерретт», [3] но именно Терри оказала более сильное театральное влияние на их детей. Он был членом компании Уильяма Чарльза Макреди и разделял уважение Макреди к хорошей дикции. Его дочь Эллен вспоминала, что он «всегда поправлял меня, если я произносил какое-либо слово небрежно, и если теперь я хорошо говорю на своем языке, это в немалой степени связано с моим ранним обучением». [4] У пары было одиннадцать детей, двое из которых умерли в младенчестве. (Их окрестили Кейт и Эллен в честь бабушек по отцовской и материнской линии; Бенджамин и Сара повторно использовали имена для своих следующих двух дочерей.) Из девяти детей, доживших до совершеннолетия, только двое, старший сын Бенджамин и младший. Том, не имел театральной истории. Бенджамин (род. 1839) занялся коммерцией и эмигрировал в Австралию, а затем в Индию, а Том (р. 1860), бродяга, жил на грани преступности и бедности, ему постоянно помогали его родители, братья и сестры. [5]
Аниела Аспергерова
Самым выдающимся предшественником театра со стороны семьи Гилгуд была польская актриса Аниела Аспергерова (1815–1902), которую ее правнук Джон Гилгуд назвал «величайшей шекспировской актрисой во всей Литве». [6] Ее муж Войцех также был известным актером в главной роли. [7] Их дочь, также называемая Аниэла, вышла замуж за Адама Гилгуда, который родился в море во время бегства его родителей из Польши после неудавшегося восстания против российского правления в 1830 году. [7] Их сын Франк женился на дочери Кейт Терри. Кейт Терри-Льюис. [7]
Второе поколение
Указаны в порядке даты рождения.
Кейт Терри
Кейт (1844–1924) была первой из детей Терри, прославивших фамилию на английской сцене, начав свою карьеру еще маленьким ребенком. По словам академика Нины Ауэрбах , Кейт, возможно, была самым опытным актером среди своих братьев и сестер, быстро завоевав признание в пьесах Шекспира , в том числе. [8] Современные критики думали так же: «Манчестер Гардиан» закончила свой репортаж о ее последнем выступлении перед ее выходом на пенсию: «В нашем нежелании принять ее прощание, мы должны теперь успокоиться воспоминаниями о несравненной красоте ее веселой игры. ... как музыка завораживающей мелодии, пронизывающая тишину ночи и заканчивающаяся именно тогда, когда ухо жаждало следующей ноты ". [9] Она отказалась от актерской игры, когда вышла замуж за бизнесмена Артура Джеймса Льюиса (1824–1901) в 1867 году, когда ей было 23 года. Она сыграла только два более поздних выступления на сцене, первое в 1898 году, в небольшой роли, поддерживая свою дочь Мэйбл в фильме. новая игра в Вест-Энде; второй - в 1906 году на праздновании юбилея ее сестры Эллен на Друри-лейн . [10] Из ее четырех детей все дочери, только младшая, Мейбл, последовала за ней в театральную профессию. Двумя средними дочерьми были Джанет и Люси. Старшая дочь Кейт, которую также звали Кейт, вышла замуж за Фрэнка Гилгуда; среди их четверых детей были Вэл и Джон Гилгуд. [11]
Эллен Терри
Эллен (1847–1928) последовала за своей старшей сестрой в актерскую профессию в раннем возрасте. Она стала самой знаменитой представительницей своего поколения в семье благодаря долгому профессиональному сотрудничеству с Генри Ирвингом . Она была особенно известна своими шекспировскими ролями. [12]
Во время празднования ее серебряного юбилея на Друри-лейн двадцать членов семьи вышли на сцену вместе с ней. Они были перечислены The Illustrated London News ; жирным шрифтом были профессиональные актеры или иным образом связанные с театром:
отношение к Кейт | отношение к Эллен | заметки | |
---|---|---|---|
Эдит Крейг | племянница | дочь | |
Питер Крейг | внучатый племянник | внук | сын Гордона Крейга |
Робин Крейг | внучатый племянник | внук | сын Гордона Крейга |
Розмари Крейг | внучатая племянница | внучка | дочь Гордона Крейга |
Джеффри Моррис | племянник | племянник | сын Флоренс Терри |
Беатрис Терри | племянница | племянница | дочь Чарльза Терри |
Чарльз Терри | родной брат | родной брат | |
Деннис [Нилсон] Терри | племянник | племянник | сын Фреда Терри |
Фред Терри | родной брат | родной брат | |
Джордж Терри | родной брат | родной брат | |
Гораций Терри | племянник | племянник | сын Чарльза Терри |
Мэрион Терри | сестра | сестра | |
Кейт Терри | - | сестра | |
Эллен Терри | сестра | - | |
Минни Терри | племянница | племянница | дочь Чарльза Терри |
Олив Терри | племянница | племянница | daughter of Florence Terry |
Phyllis [Neilson] Terry | niece | niece | daughter of Fred Terry |
Kate Terry-Gielgud | daughter | niece | |
Janet Terry-Lewis | daughter | niece | |
Lucy Terry-Lewis | daughter | niece | |
Mabel Terry-Lewis | daughter | niece |
The scenery was designed, and the dances arranged, by Ellen's son Gordon Craig.[13]
Ellen Terry married three times, but her two children, Edith and Gordon, were the product of a long-term unmarried relationship with the architect Edward William Godwin.[11]
George Terry
George (1852 – 22 March 1928) was a theatre business manager and treasurer.[11][14]
Marion Terry
Marion (1853–1930) had a stage career lasting more than fifty years, becoming known especially for creating roles in the plays of W. S. Gilbert, Oscar Wilde, Henry James and others.[15] When she died, the last of her generation of Terry sisters, The Times printed a leading article about "a long, a strange, a beautiful and affecting story" of Kate, Ellen, Florence and Marion Terry.[16] She never married and had no children.[16]
Florence Terry
Florence Maud Terry (16 August 1856[17][18] – 15 March 1896[19]) like her eldest sister Kate, acted until her marriage and then left the stage. She began her adult stage career in 1870 at the Adelphi Theatre as Lewison in The Robust Invalid.[20][21] Also in 1870, at the Olympic Theatre, she created the title role in Little Nell, Halliday's stage adaptation of The Old Curiosity Shop. At the Lyceum Theatre, she appeared as Nerissa in The Merchant of Venice and Lady Ellen in The Iron Chest by Colman. Elsewhere, she played the roles of Olivia in Twelfth Night, Lady Betty in Tom Taylor's Lady Clancarty, and in several plays by W. S. Gilbert, including as Dorothy in Dan'l Druce, Blacksmith, Jenny in Sweethearts, Cynisca in Pygmalion and Galatea, Mirza in The Palace of Truth, and with her sister Marion in Gilbert's Broken Hearts (Savoy Theatre, 1882), just before her marriage and retirement.[21][22] She married a solicitor, William Morris. Of their four children, Olive (known variously as Olive Terry, Olive Morris and Olive Chaplin) and Jack Morris went on the stage.[11]
Charles Terry
Charles (1858–1933) was a theatre and stage manager. He worked successfully in the Bordeaux wine trade, before moving into theatre management. After a spell working as business manager for Michael Gunn at the Theatre Royal, Dublin, he joined the Compton Comedy Company, with whom he tried acting, without success. The rest of his career was spent working in management. He was box-office manager at the Lyceum Theatre under Irving.[23] His management clients included Ivor Novello. He and his wife Margaret Pratt had three children, Minnie, Horace and Beatrice, all of whom followed a theatrical career.[11]
Fred Terry
Fred (1863–1933) was the youngest of the eleven children of Benjamin and Sarah Terry. Fred had a long and successful career on the stage. He was known as a leading man in classic plays but achieved his greatest fame in swashbuckling parts such as the title role in The Scarlet Pimpernel.[24] He married the actress Julia Neilson, with whom he regularly co-starred. Their children, Phyllis and Dennis Neilson-Terry, followed them into acting careers.[25]
Julia Neilson
Julia Neilson (1868–1957) married Fred Terry in 1891. In a long stage career, she appeared in tragedies and historical romances, often opposite her husband, and was known for her portrayal of Rosalind in a long-running production of As You Like It.[26] When her widowed mother remarried in the 1890s, it was to William Morris, the widower of Florence Terry (above). Julia Neilson thereby became step-sister to Olive Terry and Jack Morris, who were already her niece and nephew by marriage.[11]
Третье поколение
Listed by alphabetical order of surname
Edith Craig
Edith Craig (1869–1947) was the daughter of Ellen Terry and Edward Godwin. She followed her mother into the theatrical profession, first as an actress, and later as a director, producer and designer. From 1911 onwards she staged some 150 plays for the avant-garde theatre society the Pioneers. She also worked in fringe theatres such as the Everyman Theatre, Hampstead.[27] As a lesbian, an active campaigner for women's suffrage, and a woman working as a theatre director, Craig has been studied by feminist scholars as well as theatre historians.[28] Craig lived in a ménage à trois with the dramatist Christabel Marshall and the artist Clare "Tony" Atwood from 1916 until her death.[29] She served as the curator of the Ellen Terry Museum at Smallhythe Place.[30]
Gordon Craig
Edward Henry Gordon Craig (1872–1966) was the son of Ellen Terry and Edward Godwin. After a modest start as an actor, he became a designer, writer and occasional director of modernist theatre, working in many countries. He was more celebrated in continental Europe than in Britain, and his large theatrical library was bought by the French government for the Collection Auguste Rondel.[29][31] Among his many children by several women including his wife (the actress, Helen Mary (May) Gibson), the violinist Elena Fortuna Meo (1879–1957), the dancer Isadora Duncan and the poet Dorothy Nevile Lees, were Edward Carrick, Robin Craig and Rosemary Gordon Craig.[32]
Jack Morris
He was the son of Florence Terry and William Morris and brother of Olive Terry (below). He was an actor.[33]
Dennis Neilson-Terry
Dennis Neilson-Terry (1895–1932), the only son of Fred Terry and Julia Neilson, and the brother of Phyllis Neilson-Terry, was an actor, manager and producer. His roles included Sebastian in Twelfth Night opposite the Viola of his sister in 1912.[34] In 1932 he and his wife, the actress Mary Glynne, toured southern Africa, where he contracted double pneumonia and died.[35] Their daughter was the actress Hazel Terry.[11]
Phyllis Neilson-Terry
Phyllis Neilson-Terry (1892–1977), daughter of Fred Terry and Julia Neilson, was an actress. After early successes in classic drama she pursued a varied career, including cabaret, pantomime and variety, as well as Shakespeare and other classics. One of her last major roles was in Terence Rattigan's Separate Tables (1954) in the West End and on Broadway.[36]
Mabel Terry-Lewis
Mabel Terry-Lewis (1872–1957) was a daughter of Kate Terry and Arthur James Lewis. She made her stage debut in 1895, aged twenty-three. When she married in 1904, she retired from the profession. Her husband died in 1917, and she returned to the stage in 1920. She appeared in the West End and on Broadway in a wide range of plays including revivals of comedies by Wilde and new works by authors such as Noël Coward.[37]
Beatrice Terry
Beatrice Terry (1890 – 17 March 1970) was the younger daughter of Charles Terry. She made her first appearance on the stage at the Lyceum on 7 June 1893 as the baby in Olivia, starring Henry Irving and Ellen Terry.[38] As a child she won praise from The Times for her acting in a stage version of Struwwelpeter in 1900.[39] In 1905 she toured the English provinces and the US with Edward Terry (who was not a relation). The following year she played J. M. Barrie's Peter Pan in London. In 1910 she again toured the US, this time in the company of her uncle and aunt, Fred Terry and Julia Neilson.[38] After this, she spent much of her career in the US. She appeared on Broadway many times between 1903 and 1929, including as Laura Atherton in Children of the Moon by Martin Flavin in 1923[40] and Lady Sneerwell in The School for Scandal in 1925.[41] She was an original member of the Civic Repertory Theatre in New York, founded by Eva Le Gallienne, in the 1920s. With that company she appeared as Olga in Three Sisters, Aline Solness in John Gabriel Borkman and Olivia in Twelfth Night (all 1927).[42] Beatrice's range was wide. She received good notices in modern light comedy,[43] and in variety, joining Ethel Barrymore and Sir Nigel Playfair in a sketch by Barrie at the London Palladium in 1934.[44] She also played in the classics, in which her roles included, in addition to Olivia and Lady Sneerwell, Ophelia in Hamlet and Titania in A Midsummer Night's Dream.[45] She first married the actor Leonard Mudie and later Geoffrey Marks. In later years, she lived in the Seattle, Washington area.[46]
Horace Terry
Horace Charles Terry (27 July 1887 – 15 April 1957)[47] was the son of Charles Terry. As a child actor he made his debut in Arthur à Beckett's Faded Flowers at the Garrick in 1895.[48] The piece was a curtain-raiser to Sydney Grundy's A Pair of Spectacles, in which Terry's cousin, Mabel Terry-Lewis made her first stage appearance.[49] The London correspondent of The Boston Evening Transcript wrote that the boy played "very brightly indeed".[48] As an adult, Terry's roles included Colonel Werther in Her Love Against the World at the Lyceum in 1907.[50] He emigrated to the US and married Ethel May Moore at York, Ontario in Canada on 28 August 1912,[51] with whom he had four sons.[52] He became a naturalized US citizen in 1930[53] and lived for many years at Wyandotte, Michigan, working in a power plant.[52] He died in Wyandotte, aged 69.[47]
Minnie Terry
Elder daughter of Charles Terry (1 January 1882 – 1964) born in Bordeaux, France.[54] She was a celebrated child actress, receiving praise from The Times for her performance in Herbert Beerbohm Tree's company in 1888.[55] After playing children's parts for seven years she returned to school, first at a boarding school in England, which she hated, and then, more congenially, at a finishing school at Fontainebleau, near Paris.[56] Two years after her return to the stage in the late 1890s, she played Lydia Languish in a production of The Rivals in which Edmund Gwenn was also appearing. They married in 1901, and Minnie had thoughts of leaving the stage, as some her aunts had done on marriage.[56] She accompanied Gwenn to Australia, in which he played in a disastrous tour of Ben Hur; the failure prompted her to restore the family finances by accepting an engagement from J. C. Williamson.[56] When the couple returned to England in 1904, Minnie appeared mostly in modern comedies, interspersed with occasional historical dramas.[54] She and Gwenn co-starred in a farce called What the Butler Saw in 1905.[54][57] When, in 1911, Irene Vanbrugh made her debut in variety, she chose Minnie Terry and Gwenn to join her in a short play specially written by Barrie.[58] In 1914 she played a Broadway season as Princess Thora in a dramatisation of Andersen's The Garden of Paradise. During the First World War, her marriage was dissolved. She remarried but remained on affectionate terms with Gwenn. In their old age, he travelled from his home in California for a reunion with his widowed ex-wife in 1956.[citation needed] Who's Who in the Theatre lists no performances by Minnie after October 1925,[59] but in a special BBC radio broadcast to mark Ellen Terry's 80th birthday in 1928, she joined other members of the family – Mabel Terry-Lewis and John Gielgud – together with other leading performers, in scenes from Shakespeare associated with Ellen.[60]
Olive Terry
Olive (b. 22 April 1884) was the daughter of Florence Terry and William Morris. She made her first appearance on stage in her native London in February 1906, as Lady Gerania in Dr Wake's Patient, in which she subsequently toured. In 1906 she appeared in Arthur Bourchier's production of Macbeth at the Garrick. Later London appearances were as Lily in In the Workhouse (1911), Sister Christina in The Month of Mary (1913), and Spring in Godefroi and Yolande (1915).[54] She later married Charles Chaplin (not the famous film comedian) with whom she had a son, Michael. By a relationship with the actor Charles Hawtrey she had a son Anthony Hawtrey, who became an actor. She served as the curator of the Ellen Terry Museum after the death of Edith Craig.[30]
Четвертое поколение
Listed by alphabetical order of surname:
Edward Carrick
Edward Anthony Craig (1905–1998), who used the pen name Edward Carrick, was the third child and first son of Gordon Craig and Elena Fortuna Meo. He worked in the cinema as an art director, and designed three productions of Macbeth for stage and television between 1932 and 1960.[61]
Robin Craig
He was a son of Gordon Craig, listed in the 1925 Who's Who in the Theatre as an actor.[62]
John Gielgud
Sir Arthur John Gielgud (1904–2000) was one of the leading actors of the middle and late 20th century. Along with Ralph Richardson and Laurence Olivier he dominated the English stage for several decades from the 1930s. He was particularly noted for his beautiful speaking voice and his mastery of Shakespearean verse. Later in his career he made more than sixty films.[63] He was a son of Kate Terry-Lewis and Frank Gielgud, and his brothers were Val and Lewis (below).[11]
Lewis Gielgud
Lieut-Col Lewis Evelyn Gielgud (1894–1953) was a son of Kate Terry-Lewis and Frank Gielgud. He was the elder brother of Val and John (below and above) and became a senior figure in the Red Cross and UNESCO. He also wrote two novels, Red Soil and The Wise Child, a travel book, About It and About, and three plays in collaboration with Naomi Mitchison, The Price of Freedom, As It Was in the Beginning, and Full Fathom Five (1932). With his wife, Zita Gordon, he wrote radio plays; ballerina Maina Gielgud is their only child.[64]
Val Gielgud
Val Henry Gielgud (1900–1981) was a BBC radio executive and author, the second of the four children of Frank Henry Gielgud and Kate Terry-Lewis. In an obituary, The Times called him "for 35 years the moving force in BBC radio drama".[65] His brothers were John and Lewis (above).[11]
Rosemary Gordon Craig
A daughter of Gordon Craig, listed in the 1925 Who's Who in the Theatre as an actress.[62]
Anthony Hawtrey
Anthony John Hawtrey (1909–1954), son of Olive Terry and Charles Hawtrey, was an actor. He appeared in six feature films between 1943 and 1948, and played leading roles in early post-war BBC television plays.[66] He appeared as the King of France in the Old Vic's production of King Lear in 1931, when his cousin John Gielgud played Lear and Ralph Richardson played Kent.[67] He was also a well-known producer and director, both in London and in the provinces.[68]
Hazel Terry
Hazel Terry (1918–1974) was an actress whose roles ranged from Shakespeare (including Ophelia to the Hamlet of her cousin John Gielgud in 1944) to modern works, including a year-long engagement playing Amanda in Coward's Private Lives.[69]
Пятое поколение
Among the fifth generation of the family are the ballet dancer Maina Gielgud, daughter of Lewis Gielgud; the actress Jemma Hyde, daughter of Hazel Terry; and the author and illustrator Helen Craig, daughter of Edward Carrick.[70]
Примечания и ссылки
- Notes
- ^ Most sources give Benjamin's year of birth as 1818, but the baptismal records show he was born in Oct 1817.[1]
- ^ Some sources state that Sarah's father was a Methodist minister, but the biographer Marguerite Steen notes that Ballard was a Wesleyan lay preacher rather than a cleric.[1]
- References
- ^ a b Steen, p. 10
- ^ Steen, pp. 9–10
- ^ McDonald, p. 60
- ^ Quoted in Manvell, p. 6
- ^ Steen, pp. 86, 117–118 and 174–176
- ^ Morley, p. 1
- ^ a b c Gielgud, p. 22
- ^ Auerbach, p. 130
- ^ "Miss Kate Terry's Farewell Benefit",The Manchester Guardian, 5 October 1867, p. 7; see also The Times, 26 July 1867, reviewing Ethel; or, Only a Life.
- ^ Gielgud, p. 225
- ^ a b c d e f g h i Gielgud, pp. 222–223 and Parker (1925), pp. 1059 and 1068
- ^ Gielgud, pp. 225–226; and Booth, Michael R "Terry, Dame Ellen Alice (1847–1928)", "Craig, Edward Anthony (1905–1998)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, January 2008, retrieved 19 May 2014 (subscription or UK public library membership required)
- ^ "A Cast of Terrys at Miss Ellen Terry's Jubilee Benefit Matinee", The Illustrated London News, 16 June 1906, p. 894
- ^ Parker (1957), p. 1628
- ^ Booth, Michael R. "Terry, Marion Bessie (1853–1930)", "Craig, Edward Anthony (1905–1998)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2006, retrieved 19 May 2014 (subscription or UK public library membership required)
- ^ a b "Ring Down the Curtain", The Times, 22 August 1930, p. 11
- ^ Birth record for Florence Maud Terry, Ancestry.com, retrieved 29 December 2014 (pay to view)
- ^ Birth and Baptism Record for Florence Maud Terry, Ancestry.com, retrieved 29 December 2014 (pay to view)
- ^ 1896 National Probate Record for Florence Maud Morris, Ancestry.com, retrieved 29 December 2014 (pay to view)
- ^ Pemberton, pp. 192–193
- ^ a b Pascoe, Charles E (ed) Florence Terry, The Dramatic List: A Record of the Performances of Living Actors and Actresses of the British Stage, London, Temple Publishing Company (1880)
- ^ Pemberton, pp. 205–206
- ^ Steen, pp. 176–179.
- ^ Trewin, J C. "Terry, Fred (1863–1933)", revised by K D Reynolds, "Craig, Edward Anthony (1905–1998)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2006, retrieved 19 May 2014 (subscription or UK public library membership required)
- ^ Gielgud, pp. 121, 223 and 228
- ^ Roy, Donald. "Neilson, Julia Emilie (1868–1957)", "Craig, Edward Anthony (1905–1998)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2006, retrieved 19 May 2014 (subscription or UK public library membership required)
- ^ "Miss Edith Craig", The Times, 28 March 1947, p. 7
- ^ Christine Dymkowski, "Edy Craig's Pioneer Players" in The New Woman and Her Sisters, Harvester, 1991; Katharine Cockin, Edith Craig: Dramatic Lives, Cassell 1998; and Roberta Gandolfi, Edith Craig: La Prima Regista, 2003
- ^ a b Review of A Strange Eventful History: The Dramatic Lives of Ellen Terry, Henry Irving, and Their Remarkable Families by Michael Holroyd, Los Angeles Times, 23 March 2009
- ^ a b "Olive Chaplin" Archives Hub, retrieved 24 February 2014
- ^ Gielgud, p. 227
- ^ Hamilton, James. "Craig, (Edward Henry) Gordon (1872–1966)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2008, retrieved 19 May 2014 (subscription or UK public library membership required)
- ^ "Julia Neilson", Stage Beauty, retrieved 18 May 2014
- ^ "His Majesty's Theatre", The Times, 24 May 1912, p. 53
- ^ "Mr Dennis Neilson-Terry", The Times 15 July 1932, p. 8
- ^ "Miss Phyllis Neilson-Terry", The Times, 26 September 1977, p. 14
- ^ "Miss Mabel Terry Lewis" The Times, 30 November 1957, p. 8
- ^ a b Parker (1925), p. 894
- ^ "Garrick Theatre", The Times, 27 December 1900, p. 8
- ^ "Beatrice Terry", Internet Broadway Database, retrieved 22 May 2014
- ^ Parker (1933), p. 1306
- ^ Parker (1933), p. 1306.
- ^ "Court Theatre", The Times, 27 September 1907, p. 2; and "Garside's Career", The Times, 12 May 1914, p. 10
- ^ "The Theatres", The Times, 1 February 1934, p. 12
- ^ Parker (1925), pp. 894 and 1068
- ^ "Actress Beatrice Terry, ca. 1923", Digital Collection, University of Washington, retrieved 22 May 2014
- ^ a b "Terry, Horace C" Archived 2014-12-27 at the Wayback Machine, Wyandotte Death Index, Downriver Genealogical Society, retrieved 28 December 2014
- ^ a b "Dramatic news from London", Boston Evening Transcript, 6 February 1895, p. 4
- ^ "Garrick Theatre", The Times, 18 January 1895, p. 7
- ^ Hunt, p. 491
- ^ Ontario, Canada, Marriages, 1801–1928, retrieved 29 December 2014
- ^ a b 1940 United States Federal Census, retrieved 29 December 2014
- ^ U.S. Naturalization Records Indexes, 1794–1995, retrieved 29 December 2014
- ^ a b c d Parker (1925), p. 309
- ^ "Haymarket Theatre", The Times, 6 January 1888, p. 9
- ^ a b c "Miss Minnie Terry", Table Talk, 9 October 1902, p. 10
- ^ "Wyndham's Theatre", The Times, 3 August 1905, p. 8; and "Mr Edmund Gwenn – Versatile Character Actor", The Times, 8 September 1959, p. 13
- ^ "The Theatres", The Times, 30 October 1911, p. 11
- ^ Parker (1933), p. 1310
- ^ "Dame Ellen Terry's 80th Birthday", The Times, 27 February 1928, p. 12
- ^ Surowiec, Catherine A. "Craig, Edward Anthony (1905–1998)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2006, retrieved 19 May 2014 (subscription or UK public library membership required)
- ^ a b Parker (1925), p. 1068
- ^ Morley, pp. 473–477
- ^ "Gielgud, Lieut-Col Lewis Evelyn", Who Was Who, A & C Black, online edition, Oxford University Press, 2014, retrieved 18 May 2014 (subscription required)
- ^ "Mr Val Gielgud", The Times, 1 December 1981. p. 12
- ^ "Anthony Hawtrey" British Film Institute, retrieved 18 May 2014
- ^ "The Old Vic", The Times, 14 April 1931, p. 12
- ^ "Mr Anthony Hawtrey", The Times, 19 October 1954, p. 11
- ^ Gaye, p. 1237
- ^ The Authors and Illustrators – Profiles: Helen Craig, Through The Looking Glass Children’s Book Reviews.
Источники
- Auerbach, Nina (1997). Ellen Terry: Player in Her Time. University of Pennsylvania Press; W W Norton. ISBN 0-8122-1613-X.
- Gaye, Freda (ed) (1967). Who's Who in the Theatre (fourteenth ed.). London: Sir Isaac Pitman and Sons. OCLC 5997224.CS1 maint: extra text: authors list (link)
- Gielgud, John (1979). An Actor and His Time. London: Sidgwick and Jackson. ISBN 0283985739.
- Hunt, Bampton (ed). The Green Room Book; or, Who's Who on the Stage. London and New York: T S Clark and F Warne and Co. OCLC 39940222.CS1 maint: extra text: authors list (link)
- Manvell, Roger (1968). Ellen Terry. London: Heinemann. ISBN 0434450006.
- Morley, Sheridan (2001). John G – The Authorised Biography of John Gielgud. London: Hodder and Stoughton. ISBN 0340368039.
- Parker, John (ed) (1925). Who's Who in the Theatre (fifth ed.). London: Sir Isaac Pitman and Sons. OCLC 10013159.CS1 maint: extra text: authors list (link)
- Parker, John (ed) (1933). Who's Who in the Theatre (seventh ed.). London: Sir Isaac Pitman and Sons. OCLC 18995487.CS1 maint: extra text: authors list (link)
- Parker, John (ed) (1957). Who's Who in the Theatre (twelfth ed.). London: Sir Isaac Pitman and Sons. OCLC 6345062.CS1 maint: extra text: authors list (link)
- Pemberton, Thomas Edgar (1902). Ellen Terry and her Sisters. London: C Arthur Pearson. OCLC 503670267.
- Steen, Marguerite (1962). A Pride of Terrys – A Family Saga. London: Longmans. OCLC 1443983.
дальнейшее чтение
- Byrne, Muriel St Clare (1980). Kate Terry Gielgud – A Victorian Playgoer. London: Heinemann. ISBN 0435183206.
- Cockin, Katharine (2012). Lives of Shakespearian Actors. Herbert Beerbohm Tree, Henry Irving and Ellen Terry by Their Contemporaries. Vol 3, Ellen Terry. London: Pickering & Chatto. ISBN 1851969314.
- Croall, Jonathan (2000). Gielgud – A Theatrical Life, 1904–2000. London: Methuen. ISBN 0413745600.
- Gielgud, Val (1965). Years in a Mirror. London: Bodley Head. OCLC 1599748.
- Holroyd, Michael (2009). A Strange Eventful History – The Dramatic Lives of Ellen Terry, Henry Irving and their Remarkable Families. London: Vintage Books. ISBN 0099497182.
- Melville, Joy (1987). Ellen & Edy – A Biography of Ellen Terry and Her Daughter Edith Craig, 1847–1947. London: Pandora. ISBN 0863580785.
- Prideaux, Tom (1975). Love or Nothing – The Life and Times of Ellen Terry. London: Millington. ISBN 0860000745.
- Terry, Ellen. The Story of My Life at Project Gutenberg (1908) London – Hutchinson & Co