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Game большой буквы) - дебютный студийный альбом японской женской группы Perfume . Он был выпущен 16 апреля 2008 года компанией Tokuma Japan Communications . Game знаменует собой первый студийный альбом Perfume, который будет полностью спродюсирован японским продюсером иучастником Capsule Ясутака Наката , в то время как Perfume вносит свой вклад в альбом в качестве ведущего и бэк-вокалистов.

Игра была записана и сведена Наката в Сибуя, Токио . Для продвижения альбома было выпущено четыре разных формата; автономный компакт-диск, ограниченный комплект компакт-дисков и DVD-дисков и цифровая версия. Он был переиздан в феврале 2016 года как 12-дюймовый LP , вошедший в бокс- сеты Perfume 2016 года Perfume Complete LP Box и ограниченный единственный выпуск. Для обложки альбома были выпущены две разные обложки; у одного есть духи в маленькой комнате с синтетической травой, а у второго - духи со светодиодными лампами в темной комнате.

После выхода альбома музыкальные критики встретили его как положительные, так и смешанные. Несколько критиков подчеркнули коммерческую привлекательность композиции и отметили ее как возрождение жанра техно-поп. Однако некоторые критики неоднозначно отнеслись к отсутствию индивидуальности и безупречности альбома. Игра была внесена в несколько списков публикаций как их лучшие альбомы 2008 года в жанре J-pop. Коммерчески игра имела успех. Он стал дебютным студийным альбомом Perfume, который занял первое место в японском чарте альбомов Oricon и получил двойную платину от Ассоциации звукозаписывающей индустрии Японии (RIAJ) за отгрузку 500 000 копий.

От Game было выпущено три сингла , в том числе один рекламный, один сторонний и расширенный . Его главный сингл и EP Fan Service (Sweet) достигли 31-го места в японском чарте Oricon Singles , а его первый промо-сингл "Chocolate Disco" достиг 24-го места в японском чарте Hot 100 . Второй сингл « Polyrhythm » достиг седьмой строчки в чарте синглов Oricon и стал одной из тематических песен фильма Pixar Cars 2 . Третий и последний сингл альбома, побочный релиз " Baby Cruising Love / Macaroni"."заняли третье место в чарте Oricon Singles. Perfume продвигали альбом в рамках своего Game Tour в 2009 году.

Предпосылки и развитие [ править ]

После подписания контракта с Tokuma Japan Communications в сентябре 2005 года, Perfume и Tokuma наняли для продюсирования своей работы японского продюсера и участника Capsule Ясутаку Накату ; это первое сотрудничество Perfume с Nakata. [1] Результатом сотрудничества стала серия синглов, в том числе « Linear Motor Girl », « Computer City » и « Electro World ». [2] [3] [4] Эти синглы были включены в сборник Perfume Perfume: Complete Best в 2006 году. [5] В декабре 2006 года Perfume и Nakata выпустили игру.альбомный трек "Twinkle Snow Powder Snow" в виде цифрового скачиваемого сингла, первый для группы. [6] В следующем месяце в январе 2007 года был выпущен трек из игрового альбома "Chocolate Disco", который был подтвержден для включения в главный сингл A-side будущего альбома. [7] Затем, в конце января - начале февраля 2008 года, Perfume подтвердили выпуск нового студийного альбома в апреле того же года. [8] [9]

Perfume и Tokuma наняли Накату для продюсирования альбома; Это дебютный студийный альбом Perfume, который будет полностью спродюсирован Накатой. [10] Perfume начали записывать оставшиеся треки в Сибуя, Токио, в Contemode Studios в период с 2007 по 2008 год с Накатой. [10] Наката сделал мастеринг и записал альбом с Perfume, и в целом закончил работу в конце марта 2008 года. [11] На создание и запись материала из Game ушло почти два с половиной года, что сделало его самым продолжительным проектом Perfume. на сегодняшний день. [10] Этот материал является первым из пяти студийных альбомов Perfume, полностью сочиненных, написанных и аранжированных Накатой. [10] Парфюмер А-Чан посмотрел игру as a concept album, stating "We see each album as being like a concept album...".[12] Perfume member Nocchi expressed her delight of the finishing, stating "This is our first original album. It turned out so good that in every interview I have to say we are confident. It is cool! So I really want people to listen to it."[13]

Composition and language[edit]

Perfume's music has been handled by Japanese producer Yasutaka Nakata ever since their debut (pictured).

Game is an electronic dance album that borrows numerous musical elements including technopop and J-pop.[14][15][16][17][18][19][20] Ian Martin from AllMusic stated, "Perfume are not like other Japanese manufactured idol groups is evident from the trio's popularity among not only traditional pop fans but also large numbers of indie and electronic music fans."[14] A staff member from CD Journal identified that the album's strongest musical genre was technopop;[15] several other reviewers and editors, such as a staff reviewer from Amazon.com and Zac Bentz from Japanator.com, also had similar hypothesises.[17][19] Retrospectively, a staff member from MTV Iggy felt that the Japanese club and electronic culture had influenced all of Perfume's studio albums, including Game.[21] In an interview with Nakata, he stated that he was particularly interested in re-inventing the term technopop for the Japanese music scene; a term that was recognized in the 1980s in Western culture.[22] Technopop was first introduced to Japanese culture in the 1980s by Japanese band Yellow Magic Orchestra, who employed the genre in their studio album Naughty Boys (1983).[23] Alongside this, Nakata incorporated his post-Shibuya-kei sound which he had initially used for the songs produced with Perfume during their time as an indies idol group, into the tracks from Game.[24]

Perfume admitted that they didn't know of the techno genre prior to Game; A-Chan stated in an interview with Bomb magazine "Well, we have just gotten to the point where we got to like techno music. But we are on the level that we ‘like’ it, and we don’t know the depth of it beyond that. I don’t think it is good to go to the next step without learning anything. So I want to know techno to the full first. It may be hard but I want to try at least."[13] Nocchi felt that techno music, at the time of the release of Game, represented Perfume.[13] Game is Perfume's first album to feature an English language song; the track "Take me Take me".

Songs[edit]

Many tracks from Game were compared to French duo Daft Punk.[14][20]

The album's opening track, "Polyrhythm", is influenced by technopop and dance-pop music that was noted for its "summery" vibe.[15][20] "Plastic Smile" is a "retro" technopop song that was noted by critics for its "cheap" and "simple" production.[14][16] The album's title utilizes rock instrumentation over a heavy bass and trance-inspired synthesizer; Ian Martin and Asian Junkie editor Random J noted by critics for its similar comparisons from the work of French duo and producers Daft Punk.[14][20] "Baby Cruising Love" is a technopop song that fuses musical elements of dance-pop and pop ballad; Martin labeled the song "comparatively inoffensive and characterless J-pop...".[14] "Chocolate Disco" is an upbeat dance song that was noted by critics for its "cute" appeal.[15][17] According to a staff member from Channel-Ai, they noted live instrumentation of drum machines in the sixth album track "Macaroni".[16] The song was noted by critics as a mid-tempo techno-pop song with elements of lounge and house music.[15][17] The album's seventh track, "Ceramic Girl", was noted by critics as a "high energetic" electropop song with musical elements of 1980s disco music.[15]

"Take Me, Take Me" is a house track with elements of downtempo music. Nia from Selective Hearing commented, though it was a "sensual" track by Perfume, it "divided opinions amongst fans; some think that it’s a great song and others think that it’s too repetitive to be interesting."[18] "Secret Secret" starts with a "dreamy" intro and builds up with electronic dance synths. The song was highlighted by critics as the album's most "diverse" track, noting that it offered an "atmospheric composition" and "high powered dance song".[15][16] "Butterfly" incorporates the ambient and non-diegetic sound of rainforest and animal calls.[16] An electro house song, it incorporates live instrumentation of string arrangements and instrumental sections.[15][16] "Twinkle Snow Powder Snow" was noted by critics as the album's "least favoured song"; while Channel Ai labeled it a "cheerful danceable and catchy techno tune", Nia commented "'Twinkle Snow Powdery Snow' is a bit of a mood whiplash with its perky melody and wintery instrumental. It’s not a bad song but probably my least favorite on the album."[16][18] The album's closing track, "Puppy Love", was noted by critics for its "light and delicate" production, and was labeled by Nia as a very "sweet" track.[18]

Release and packaging[edit]

Game was released in three different formats on April 16, 2008 by Tokuma Japan Communications. The standalone CD format features the fourteen tracks in a jewel case, with first press editions including an obi and a bonus poster.[10] The CD and DVD format feature the fourteen tracks and a bonus DVD with the music videos to "Macaroni" and "Secret Secret". The DVD also included two live performances in Japan and three individual music videos to "Macaroni" recorded by the Perfume members separately.[25] It was published in a jewel case with some editions with a cardboard sleeve; First press editions included an obi.[25] The final format was a digital release that was released in Japan only that same release date.[26]

Two cover sleeves for Game were photographed by Japanese photographer and designer Mari Amita.[10][25][26] The standalone CD artwork has Perfume inside a four-by-four room, floored with synthetic grass and powered by strong ceiling lighting. The album's title is superimposed on the ceiling. The standalone CD booklet features shots of Perfume inside that room, with no other picture otherwise.[10] The CD and DVD artwork feature Perfume in a dark room, holding several LED lamps with the album's title superimposed them. The CD and DVD booklet features different shots of Perfume in the four-by-four room and shots of Perfume in the dark room.[25] The digital release uses the standalone CD artwork.[26] The booklet and photo shoot was designed by Mayuko Yuki.[10][25][26]

In February 2012, the group had signed a record contract with Universal Music Japan after leaving Tokuma Japan Communications to record their third album JPN.[27] They signed a global record contract with Universal Music Group to release JPN globally but received rights by Tokuma Communications to release their discography globally, and Game was subsequently released worldwide in March 2012 digitally.[28] In November 2015, Perfume and Universal (with publishing rights from Tokuma and Crown Tokuma) announced the re-release of all their studio albums, including Game, on 12-inch vinyl LPs in a collective vinyl box set.[29] The vime waLP s released in two editions; part of the box set entitled Perfume Complete LP Box, and a limited edition singular release on February 17, 2016.[30][31][32][33] The artwork for the viLPses the CD and DVD cover, with a slip-in case of the standalone CD artwork.[30]

Promotion[edit]

Singles[edit]

Fan Service (Sweet) was released as the album's lead single and first and final extended play single on February 14, 2007.[34] The EP consists of two single tracks; "Twinkle Snow Powder Snow" and "Chocolate Disco", alongside a bonus DVD with a music video for each single.[34] Upon its release, Fan Service (Sweet) received mixed reviews from music critics. Many music critics commended the production of "Chocolate Disco", and favored it more over "Twinkle Snow Powdery Snow".[15][18][20] Fan Service (Sweet) was moderately successful in Japan, peaking at number 31 on the Japanese Oricon Singles Chart, and sold over 10,000 units in that region.[35][36][37] After its release, "Twinkle Snow Powder Snow" and "Chocolate Disco" was released promotionally through airplay in Japan.[38] "Chocolate Disco" charted at number 24 on the Japan Hot 100 chart and 76 on the RIAJ Digital Track Chart in Japan.[39][40] Both singles received a music video; "Twinkle Snow Powder Snow" features Perfume dancing to the song in a futuristic city whilst walking through a snow-storm.[41] The music video to "Chocolate Disco" featured Perfume singing and dancing to the song in front of several laser lights and in several divided mirrors.[42]

"Polyrhythm" was released as the album's second overall and first singular single on September 12, 2007.[43] It was released as a standalone CD with the bonus track "Seventh Heaven", and a CD and DVD bundle featuring the music video to the single.[44] Upon its release, "Polyrhythm" received positive reviews from music critics. Many critics commended the composition of the track, Nakata's production, and the group's "vocoder" vocals.[45] "Polyrhythm" was a commercial success, reaching number seven on Japan's Oricon Singles Chart and stayed in the top 300 for 58 weeks, the group's longest spanning charting single to date.[46][47] "Polyrhythm" has sold over 77,000 units in Japan and was certified gold by the Recording Industry Association of Japan (RIAJ) for digital and physical shipments of 100,000 units in that region, tallying up to 200,000 shifted units.[48][49] A music video was shot for "Polyrhythm"; it features Perfume singing the song in a white room, with additional computer-generated imagery of various objects and living figures.[50]

"Baby Cruising Love" and "Macaroni" were released as the album's third and final overall and first a-side single on January 16, 2008.[51] It was released as a standalone CD, and a CD and DVD bundle featuring the music video to "Baby Cruising Love".[52] Upon its release, "Baby Cruising Love" and "Macaroni" received positive reviews from music critics. Many critics commended both the tracks dance melodies and the group's vocals.[53] Charting together, "Baby Cruising Love/Macaroni" was a commercial success, reaching number three on Japan's Oricon Singles Chart and stayed in the top 300 for 18 weeks.[54][55] "Baby Cruising Love/Macaroni" has sold over 65,000 units in Japan to date.[35] A music video was shot for "Baby Cruising Love"; it features Perfume dancing to the song in front of LED lamps, and holding a light orb.[56]

Other charted singles[edit]

Album tracks; "Ceramic Girl" and "Secret Secret" both charted on the Japan Hot 100 chart, peaking at number 49 and 54 respectively.[57] Neither of these tracks served as a promotional single or received any physical release. "Secret Secret" received a music video that was broadcast on Japanese television; it features Perfume dancing to the song on a studio set. Each chorus features Perfume wearing outfits from their singles that were included on Perfume: Complete Best and was based on Perfume's growth in popularity and concept in Japanese advertisement.[58][59][60]

[edit]

Before release, the album, on July 1, 2007, the commercial for NHK's national recycling campaign aired, featuring Perfume and their single, "Polyrhythm". The commercial was the group's first commercial release inside Japan. Subsequently, their next live show sold out, and Perfume became the first idol group to perform at the Summer Sonic music festival.[61][62] The group managed to receive commercial endorsements with the usage of their songs from the album. "Butterfly" was used as a commercial theme for Infinite Frontier for Nintendo DS and "Secret Secret" was used in an Eskimo Pino commercial.[63][64] All three singles including "Ceramic Girl" received a commercial endorsement feature, including deals with NTV and theme songs (both ending and opening).[15]

"Polyrhythm" was featured on the soundtrack of 2011 American animated film Cars 2, which marked the group's first entry into the western market.[65] In response, Perfume was invited to attend the movie premiere in Los Angeles, California.[66] The director, John Lasseter, was happy to see the girls there and said: "The moment I listened to Polyrhythm, I loved it, it was like falling in love."[66]

Concert tour[edit]

To promote Game, Perfume went on two promotional tours; the Seventh Heaven tour at the Liquidroom in Japan, and the Perfume Socks Fix Makes Tour in Shibyua, Tokyo.[67][68] For the Seventh Heaven tour, the album tracks: "Polyrhythm", "Chocolate Disco", and the b-side track "Seventh Heaven" were included on the set list.[67] The tour received positive reviews from music critics; Tetsuo Hiraga commended the tour, praising certain tracks and the overall stage production.[67] For the Socks Fix Makes, the album tracks: "Baby Cruising Love", "Twinkle Snow Powder Snow", "Macaroni", "Chocolate Disco", "Polyrhythm", and the b-side track "Seventh Heaven" were included on the set list.[68] The tour received positive reviews from music critics; Hiraga felt the Shibuya concert was an improvement from the Seventh Heaven tour and commended the sufficiency in the material.[68]

After the album's release, the group had officially announced that their 2008 Game Tour would commence in late April 2008. The group toured 10 cities in Japan and sold out all tickets to each concert.[69] For the Game tour, the album tracks: the title track, "Twinkle Snow Powdery Snow", "Take Me Take Me", "Secret Secret", "Macaroni", "Chocolate Disco", and "Ceramic Girl" were included on the set list.[70] The tour received positive reviews from music critics; Hiraga felt the Yokohama concert was "impressive" in sound diversity and production, and commended Perfume's vocal abilities and stage presence.[70] On the final date of the tour, Perfume announced that they would be doing a 2-day show at the prestigious Nippon Budokan in November 2008 as well as the release date of their next single, "Love the World".[71]

The concert tour was released on October 15, 2008 as a DVD. All performed album tracks were included on the DVD.[72] The DVD reached number one on Japan's Oricon DVD Chart, Perfume's first number one DVD; it spent over 30 weeks in the top 300 chart.[73] The DVD was certified gold by RIAJ for physical shipments of 100,000 units in Japan.[74]

Critical reception[edit]

Game received mixed to favorable reviews from most music critics. A staff reviewer from Channel-Ai awarded the album four-and-a-half stars out of five, labeling the album as "interesting." The reviewer felt that while the album was more a "Yasutaka Nakata album featuring Perfume’s vocals," he concluded, "Nakata’s detailed production of Perfume’s sweet, charismatic vocals creates an irresistible listening experience."[16] Nia from Selective Hearing praised the album for featuring tracks that she had liked altogether. Nia commented, "Personally, I think that’s a perfect balance to have when making an album and one of the strongest aspects of Game is that each track has its own unique sound and style...". She praised Nakata for creating a "perfect balanced" album that, he has since never done.[18]

Asian Junkie editor Random J reviewed the album on his blog and awarded the album six-and-a-half stars out of ten. Random J stated "If you don't mind disconnected electro pop and techno, then you'll like this album. But if you like something with more to it, then you'll find these songs lack too much person-ability for your tastes." Random J concluded, however, "But for what it is, and those who are into this kind of music - it's a solid album. Perfume fans will not be disappointed. My love of electro pop and all things Daft Punk-esque is what has me really liking this album more than I thought I would. Definitely my guilty pleasure."[20] Tetsuo Hiraga from Hot Express was positive in his review, commending Nakata's production and composition. Despite commending Perfume's image and vocal abilities, Hiraga went on to praise the songwriting for projecting "alive", "warm hearted" and "witty" themes to the album's tracks.[75]

Ian Martin from AllMusic awarded the album 3.5 stars out of five. Martin felt the production was "overwhelming" by commenting "There are also a number of occasions where the production completely overwhelms the sometimes flimsy melodies on offer, and it's hard to escape the impression that producer Yasutaka Nakata's attitude to the three members' vocal contributions is basically one of damage limitation." He did, however, commend the album's catchiness and complimented the mixture of dance genres.[14] Zac Bentz from Japanator.com gave the album a mixed review. He criticized the album's lack of development and personality and felt the album didn't have a diversity of musical genres outside of electronic dance music. He commented, "If Perfume doesn't start expanding their sound, maybe moving out of the cyber-dance cage Yasutaka has built up around them into, say, more real-world territory, their remaining time may be limited."[17]

Accolades and recognition[edit]

Game won the Best Female Band/Band with female lead vocal Album of the Year award at the DBSK in French J-Pop Awards 2008.[76] At the 1st Annual CD Shop Awards, Game was first-equal runner-up with Ohashi Trio's This is Music for the Grand Prix award. The winner of the night was Sōtaisei Riron's Shifon Shugi (2008).[77][78] The album won the Album of Excellence Award at the 50th Japan Record Awards; it shared its recognition with Beyond Standard by Hiromi Uehara, Keiichi Suzuki's Hate Captain and Love Officer, Namie Amuro's Best Fiction, and Fuyumi Sakamoto's Masterpiece Song Spelling.[79]

In July 2010, Game was featured in Music Magazine's Best Top 100 Domestic Albums of 2000, ranking the album at number nine.[80][81] As of February 2016, Ian Martin from AllMusic recognized Game as Perfume's best studio album and highlighted the album as the top pick from their discography.[82] Martin highlighted the album tracks: "Baby Cruising Love", "Chocolate Disco", "Macaroni", "Polyrhythm", and "Twinkle Snow Powder Snow" as some of Perfume's best tracks from the album and their entire career.[83] Julie from Go Boiano listed Game at number 12 on her 15 Awesome Albums for Beginners of J-pop; she stated "Pulling from techno trends even before Hatsune Miku made it cool, the girls have built up a considerable fanbase with their skilled dancing, catchy songs, and unique electronica vocals. Game showcases them at their best, and if you're a fan of Miku or techno doujin music, why not check out the original masters of electropop?".[84]

Commercial performance[edit]

Game debuted at number one on the Japanese Daily Oricon Albums Chart, staying there for an entire week.[85] This resulted in the album debuting atop the Japanese Weekly Oricon Albums Chart, with an estimated 154,000 sold units in its first week of sales.[86][35][A] This became the highest selling album by a female group for first week sales of 2008.[35] Game became Perfume's first studio album to debut atop the Oricon Albums Chart for both Daily and Weekly rankings.[85] Game became Nakata's first produced number one album, whilst Perfume's future albums handled by Nakata; Triangle, JPN, and Level3 continued this streak.[B] Perfume was Nakata's first and only project to have reached number one until Japanese singer Kyary Pamyu Pamyu reached the top spot with Nanda Collection (2013) and Pika Pika Fantajin (2014).[89] It slipped to number three the following week, shifting 59,552 in Japan.[90] It stayed at number three of three weeks, in the top 10 for five weeks, and the top 300 with sixty-nine weeks overall.[85] To date, Game is Perfume's longest spanning album in the Oricon Albums Chart.[85]

Game entered the Billboard Top Albums Sales Chart at number two, Perfume's first album to reach the top ten.[91] It fell to number three the following week and stayed there for three consecutive weeks.[92][93][94] Game was certified double platinum in April 2009 by the Recording Industry Association of Japan (RIAJ) for shipments of 500,000 units.[95] To date, this is Perfume's only album to shift over 500,000 physical units in Japan.[96][97][98] At the end of 2008, Game sold over 391,439 units in Japan; this ranked the twenty-third best selling album in Japan, and Perfume was the best selling girl group of that year.[99] As the end of 2009, Game was placed 144th and sold over 61,415 units in Japan, ranking them the second best selling girl group behind Speed and Perfume's own entry with Triangle; Game sold over 10,486 in 2010.[100] As of February 2016, Game has sold over 477,000 units in Japan.[35]

Legacy[edit]

Game has been hugely recognized as the best technopop album since the 1983 studio album Naughty Boys by Yellow Magic Orchestra (pictured).

Following its release, Game has been cited as one of the most successful technopop albums of all time.[24] Martin from AllMusic commented about Perfume; "That [Perfume] are not like other Japanese manufactured idol groups is evident from the trio's popularity among not only traditional pop fans but also large numbers of indie and electronic music fans."[14] He concluded that the album "revealed a further refined version of the template of cute idol pop coupled with the more sophisticated dance music influences that had made them so successful."[101] Martin had listed the album as their best album to date, citing it as an AV album highlight.[102]

Game and its accompanying singles marked the beginning of their rise in becoming not only a large factor in Japanese music but launched them into the Western market.[65] Daniel Robson from The Japan Times commented "The sound [Nakata] perfected for [Perfume] with 2008′s breakthrough album [“Game”] caused a resurgence in demand for off-kilter electro-pop, at that time a niche genre, with labels rushing to release similar artists such as Immi, Sweet Vacation and Urbangarde." He said Japanese pop acts including Perfume and Kyary Pamyu Pamyu had "suddenly exploded in popularity" because they were "interesting."[103]

After the album peaked at number one on the Oricon chart, the album became the first technopop album to reach at number one since Yellow Magic Orchestra did so with their album Naughty Boys. According to Tokyograph, this makes Perfume only the second technopop group ever to achieve this position.[104] The album is currently the group's highest selling album, as well as Nakata Yasutaka's highest-selling produced album or material in his career.[105] After Game, Perfume released more studio albums: Triangle, JPN, Level 3 and Cosmic Explorer, all peaking consecutively at number one on Oricon and were all certified platinum respectively.[96][97][98]

A book about the album and the trajectory of Perfume's career was published in the 33 1/3 Japan book, Perfume's Game (2018) by Japan-based journalist Patrick St. Michel.[106] In 2020, Jonathan McNamara of The Japan Times listed it as one of the 10 Japanese albums worthy of inclusion in Rolling Stone's 2020 list of the 500 greatest albums of all time, writing that the infectious grooves found on 'Game' and the immeasurable impact it left on both J-pop and electronic music make it essential listening for every pop music fan".[107]

Track listing[edit]

All lyrics are written by Yasutaka Nakata; all music is composed by Yasutaka Nakata.

Formats[edit]

  • Standard CD – Consists of twelve songs on one disc.[10]
  • First pressing standard CD – Consists of twelve songs on one disc. First pressing issues include a bonus obi strip.[10][108]
  • CD and DVD – Consists of twelve songs on one disc. Includes five music videos and two live performances on the second disc.[25]
  • First pressing CD and DVD – Consists of twelve songs on one disc. Includes five music videos and two live performances on the second disc. First pressing issues include a bonus obi strip.[25][109]
  • LP – Consists of six tracks on one analog LP, and another six tracks on the second.[110]
  • Digital download – Consists of twelve songs on one disc.[26]

Personnel[edit]

Credits adapted from the liner notes of Game.[10]

  • Ayano Ōmoto (Nocchi) – lead vocals, background vocals
  • Ayaka Nishiwaki (A-Chan) – lead vocals, background vocals
  • Yuka Kashino (Kashiyuka) – lead vocals, background vocals
  • Yasutaka Nakata – songwriting, producing, composing, arranging, engineer, mixing, recorded by
  • Iku Aoki – album director
  • Masahiro Nakawaki – album director
  • Satoshi Hasegawa – promotion planning
  • Hideo Tanaka – sales promotion
  • Momoko Takimoto – product co-ordination
  • Atsuko Okuzono – super desk planner
  • Hiromi Okawa – management
  • Shiro Yamamoto – management
  • Yusuke Iwai – management
  • Kayoko Takimoto – management
  • Takeshi Fukuoka – management
  • Nozomi Ishimoto – executive producer
  • Masahiro Shinoki – executive producer
  • Yokichi Osato – supervisors
  • Sumio Matsuzaki – supervisors
  • Tatsuro Hatanaka – supervisors
  • Shingenori Nishino – supervisors
  • Kazuaki "Triple-O" Seki – art direction
  • Mari Amita – photographer
  • Mayuko "Triple-O" Yuki – designer
  • Ken Uchizawa – clothes stylist
  • Hatsuhiro Nozawa – hair stylist
  • Masako Osuga – make-up artist
  • Kiyoe Mizusawa – design coordinator
  • Tokuma Japan Communications – Perfume's distribution and record label
  • Universal Music Japan – Perfume's 2012–present label; distribution co-rights
  • Contemode – Nakata's distribution label, co-rights
  • Yamaha Music Communications – Nakata's distribution label, co-rights

Charts[edit]

Certifications[edit]

See also[edit]

  • List of Oricon number-one albums of 2008

Notes[edit]

  1. ^ Sales provided by Oricon database and are rounded to the nearest thousand copies.
  2. ^ Before the album's charting date on April 22, 2008, Nakata had two other musical projects; his band Capsule and Japanese singer Meg. These entries for Capsule[87] and Meg[88] are provided on the Oricon website; according to their profile, neither of their studio albums reached number one.

References[edit]

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External links[edit]

  • Game – Perfume's official website.
  • Game Interview – Hot Express website.