Franz Kafka, a German-language writer of novels and short stories who is regarded by critics as one of the most influential authors of the 20th century, was trained as a lawyer and later employed by an insurance company, writing only in his spare time.
Kafka wrote hundreds of letters to family and close female friends, including his father, his fiancée Felice Bauer, and his youngest sister Ottla.
Only a few of Kafka's works were published during his lifetime: the story collections Betrachtung (Contemplation) and Ein Landarzt (A Country Doctor), and individual stories (such as "Die Verwandlung" ("The Metamorphosis")) in literary magazines. He prepared the story collection Ein Hungerkünstler (A Hunger Artist) for print, but it was not published until after his death. Kafka's unfinished works, including his novels Der Process, Das Schloss and Amerika (also known as Der Verschollene, The Man Who Disappeared), were published posthumously, mostly by his friend Max Brod, who ignored Kafka's wish to have the manuscripts destroyed. Brod also published letters, diaries and aphorisms.
Many of Kafka's works have uncertain dates of writing and/or were written over long periods of time. In such cases the year the writing of the work began is used. Year and place of the first publication is shown. For many works the German text is available, for several works also an English translation. It is linked in columns "de" (short for "deutsch", German) and "en" (short for English).
German's more flexible word order is one of the problems translating German into other languages. German also uses modal connectives, and syntactic structures which can be translated in more than one way.[1] Kafka did not write in standard High German, but rather in a Praguean German heavily influenced by the Yiddish and Czech languages.[2] This has led philosophers Deleuze and Guattari to describe Kafka's linguistic style as "deterritorialized", characterized by a "withered vocabulary" and an "incorrect syntax".[2]
German sentences also have a different syntactic structure. Unlike English, German is a verb-final language, which places the main verb of a verb string (e.g., "transformed" in "had been transformed") at the end of a phrase. The difference can be seen in the contrast between the original German version of the first sentence in Kafka's "The Metamorphosis":