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Портал живописи
Живопись - это нанесение краски , пигмента , цвета или другого материала на твердую поверхность (называемую «матрицей» или «опорой»). Средство обычно наносится на основу с помощью кисти , но можно использовать и другие приспособления, такие как ножи, губки и аэрографы .
В искусстве термин « живопись» описывает как действие, так и результат действия (финальная работа называется «картиной»). Опора для картин включает в себя такие поверхности, как стены , бумагу , холст , дерево, стекло , лак , керамику , лист , медь и бетон, и картина может включать множество других материалов, включая песок, глину, бумагу, гипс, сусальное золото и даже целые объекты.
Живопись - важная форма в изобразительном искусстве , включающая такие элементы, как рисунок , композиция , жест (как в жестовой живописи ), повествование (как в повествовательном искусстве ) и абстракция (как в абстрактном искусстве ). Картины могут быть натуралистическими и репрезентативными (как в натюрмортах и пейзажах ), фотографическими , абстрактными, повествовательными, символическими (как в символическом искусстве ), эмоциональными (как в экспрессионизме ) или политическими.в природе (как в Артивизме ).
Часть истории живописи как в восточном, так и в западном искусстве доминирует религиозное искусство . Примеры этого вида живописи варьируются от произведений искусства, изображающих мифологические фигуры на керамике, до библейских сцен на потолке Сикстинской капеллы , до сцен из жизни Будды (или других изображений восточного религиозного происхождения ). ( Полная статья ... )
Избранные общие статьи
- В художественной критике 1960-х и 1970-х годов плоскостность описывала гладкость и отсутствие кривизны или деталей поверхности двумерного произведения искусства. ( Полная статья ... )
- Neo-Baroque frame of a 19th-century painting
A picture frame is a protective and decorative edging for a picture, such as a painting or photograph. It makes displaying the work safer and easier and both sets the picture apart from its surroundings and aesthetically integrates it with them. (Full article...) - Filled-in child's coloring book, Garfield Goose (1953)
A coloring book (British English: colouring-in book, colouring book, or colouring page) is a type of book containing line art to which people are intended to add color using crayons, colored pencils, marker pens, paint or other artistic media. Traditional coloring books and coloring pages are printed on paper or card. Some coloring books have perforated edges so their pages can be removed from the books and used as individual sheets. Others may include a story line and so are intended to be left intact. Today, many children's coloring books feature popular cartoon characters. They are often used as promotional materials for animated motion pictures. Coloring books may also incorporate other activities such as connect the dots, mazes and other puzzles. Some also incorporate the use of stickers. (Full article...) - Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called Tipos del País popularized by Damián Domingo. The letters depicted spell out a phrase or a name, usually that of the patron who commissioned the work. The paintings were done with watercolor on Manila paper. The earliest example of this art form dates from 1845; the latest existing specimens were completed during the latter portion of the American period in the 1930s during the administration of the Commonwealth of the Philippines.
In 1995, an album of José Honorato Lozano's paintings were auctioned at Christie’s at the starting bid of £300,000. (Full article...) - The Golden Apple of Discord at the wedding of Peleus and Thetis, Jacob Jordaens, 1633, 181 cm × 288 cm (71 in × 113 in), oil on canvas
A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude.
Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art since the first stone age cave paintings, and has been reinterpreted in various styles throughout history. (Full article...) - A range-finder painting, sometimes called range-finding painting, is a large landscape painting produced as a training device to help gunners improve their accuracy. Historically, the best-documented use of such paintings was in the United States during World War I. (Full article...)
- Oil painting reproductions are paintings that have been created by copying in oils an original oil painting by an artist.
Oil painting reproductions are distinct from original oil painting such as are often of interest to collectors and museums. Oil painting reproduction can, however, sometimes be regarded as artworks in themselves. (Full article...) - Archip Kuindshi, Night on the Dnieper River 1882.
The depiction of night in paintings is common in Western art. Paintings that feature a night scene as the theme may be religious or history paintings, genre scenes, portraits, landscapes, or other subject types. Some artworks involve religious or fantasy topics using the quality of dim night light to create mysterious atmospheres. The source of illumination in a night scene—whether it is the moon or an artificial light source—may be depicted directly, or it may be implied by the character and coloration of the light that reflects from the subjects depicted. (Full article...) - Ghost sign for a defunct clothing store in Salem, Massachusetts
A ghost sign is an old hand-painted advertising sign that has been preserved on a building for an extended period of time. The sign may be kept for its nostalgic appeal, or simply indifference by the owner. (Full article...) - Martyrdom of St Andrew by Jusepe de Ribera, 1628 (Museum of Fine Arts (Budapest))
Tenebrism, from Italian tenebroso ("dark, gloomy, mysterious"), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the image. The technique was developed to add drama to an image through a spotlight effect, and is common in Baroque paintings. Tenebrism is used only to obtain a dramatic impact while chiaroscuro is a broader term, also covering the use of less extreme contrasts of light to enhance the illusion of three-dimensionality.
The term is somewhat vague, and tends to be avoided by modern art historians. (Full article...) - Paint Dancing is an American art and dance craze which involves both painting and dancing. Paint Dancers, using paint, brushes and paper, attend organized events dressed in ready-to-paint and dance clothing. The concept of combining movement and painting originated during the later part of the American and European Modern art period; however, Evangeline Welch of Shreveport, Louisiana has been credited with being the "brainchild" of Paint Dancing in the United States of America. This departure from traditional painting styles was often referred to as Action painting. Over the years, several variations of the art form have evolved, including an adaptation introduced by the Hippies during the Summer of Love, that integrated the art of body painting with dancing. One of the more recent introductions of Paint Dancing to American culture is being popularized by a grassroots movement created in 2006 by Seattle artist and activist Matt Jones. The phrases "paint dancing" and "paint dancer" and other variations were originally coined in 1996 by Gloria M. Buono, author, illustrator and publisher of The Painting Ballerina. (Full article...)
- Horatius Cocles, engraving by Hendrick Goltzius – an example of a Figura serpentinata
Figura serpentinata (Italian for ‘serpentine figure’) is a style in painting and sculpture, intended to make the figure seem more dynamic, that is typical of Mannerism. It is similar, but not identical, to contrapposto, and features figures often in a spiral pose. Early examples can be seen in the work of Leonardo da Vinci, Raphael and Michelangelo.
Emil Maurer writes of the painter and theorist Giovanni Paolo Lomazzo (1538–1600): "The recommended ideal form unites, after Lomazzo, three qualities: the pyramid, the serpentinata movement and a certain numerical proportion, all three united to form one whole. At the same time, precedence is given to the "moto", that is, to the meandering movement, which should make the pyramid, in exact proportion, into the geometrical form of a cone." (Full article...) - Rembrandt's Self-Portrait with Two Circles (c. 1665–1669). Rembrandt was possibly the first artist in history to fully transform self-portraiture into a sophisticatedly developed genre, in its own right.
A self-portrait is a representation of an artist that is drawn, painted, photographed, or sculpted by that artist. Although self-portraits have been made since the earliest times, it is not until the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular. (Full article...) - The Arnolfini Portrait by Jan van Eyck, National Gallery, London 1434. Among other changes, his face was higher by about the height of his eye, hers was higher, and her eyes looked more to the front. Each of his feet was underdrawn in one position, painted in another, and then overpainted in a third. These alterations are seen in infra-red reflectograms.
A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is Italian for 'repentance', from the verb pentirsi, meaning 'to repent'. (Full article...) - See portrait for more about the general topic of portraits.Self-portrait of Nicolas Régnier painting a portrait of Vincenzo Giustiniani, 1623-24, Fogg Art Museum.
Portrait painting is a genre in painting, where the intent is to represent a specific human subject. The term 'portrait painting' can also describe the actual painted portrait. Portraitists may create their work by commission, for public and private persons, or they may be inspired by admiration or affection for the subject. Portraits often serve as important state and family records, as well as remembrances.
Historically, portrait paintings have primarily memorialized the rich and powerful. Over time, however, it became more common for middle-class patrons to commission portraits of their families and colleagues. Today, portrait paintings are still commissioned by governments, corporations, groups, clubs, and individuals. In addition to painting, portraits can also be made in other media such as prints (including etching and lithography), photography, video and digital media. (Full article...) - Accidental self-portrait by an elephant with a GoPro camera in Koh Phangan, Thailand
Animal-made art is art created by an animal. Animal-made works of art have been created by apes, elephants, cetacea, reptiles, and bowerbirds, among other species. (Full article...) - Incised painting is a technique used to decorate stone surfaces. First, a channel is scratched in the stone. Then, a thick paint or stucco plaster is laid across the surface. Last, the paint is scraped off the surface of the stone, leaving paint in the incision. This technique was used in decorating the Taj Mahal. (Full article...)
- Digital painting is an emerging art form in which traditional painting techniques such as watercolor, oils, impasto, etc. are applied using digital tools by means of a computer, a graphics tablet and stylus, and software. Traditional painting is painting with a physical medium as opposed to a more modern style like digital. Digital painting differs from other forms of digital art, particularly computer-generated art, in that it does not involve the computer rendering from a model. The artist uses painting techniques to create the digital painting directly on the computer. All digital painting programs try to mimic the use of physical media through various brushes and paint effects. Included in many programs are brushes that are digitally styled to represent the traditional style like oils, acrylics, pastels, charcoal, pen and even media such as airbrushing. There are also certain effects unique to each type of digital paint which portray the realistic effects of say watercolor on a digital 'watercolor' painting. In most digital painting programs, the users can create their own brush style using a combination of texture and shape. This ability is very important in bridging the gap between traditional and digital painting.
Digital painting thrives mostly in production art. It is most widely used in conceptual design for film, television and video games. Digital painting software such as Corel Painter, Adobe Photoshop, ArtRage, GIMP, Krita and openCanvas give artists a similar environment to a physical painter: a canvas, painting tools, mixing palettes, and a multitude of color options.
There are various types of digital painting, including impressionism, realism, and watercolor. There are both benefits and drawbacks of digital painting. While digital painting allows the artist the ease of working in an organized, mess-free environment, some argue there will always be more control for an artist holding a physical brush in their hand. Some artists believe there is something missing from digital painting, such as the character that is unique to every physically made object. Many artists post blogs and comment on the various differences between digitally created work and traditionally created artwork. (Full article...) - Paintings conservation laboratory, Heritage Conservation Centre, Singapore
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports (i.e. the painted surface made from fabric, paper, wood panel, fabricated board, or other). Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care (also known as preventive conservation) will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind. (Full article...) - Alberto Baumann, "Inheritance of the Twentieth Century" (1980).
In visual art, mixed media describes artwork in which more than one medium or material has been employed.
Assemblages and collages are two common examples of art using different media that will make use of different materials including cloth, paper, wood and found objects.
Mixed media art, is distinguished from multimedia art which combines visual art with non-visual elements, such as recorded sound, literature, drama, dance, motion graphics, music, or interactivity. (Full article...) - Tondo by Andrea della Robbia
A tondo (plural "tondi" or "tondos") is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian rotondo, "round." The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for sculpture the threshold is rather lower.
A circular or oval relief sculpture is also called a roundel. (Full article...) - The Jerwood Painting Prize was a prize for originality and excellence in painting in the United Kingdom, awarded and funded by the Jerwood Foundation. It was open to all artists born or resident in the UK, regardless of age or reputation. Winners of the prize include Craigie Aitchison, Patrick Caulfield, Prunella Clough and Maggi Hambling. The prize was instituted in 1994, and at £30,000 was the largest of its kind in Britain. The prize is no longer awarded. (Full article...)
- Harvest near Auvers (1890), a size 30 canvas, by Vincent van Gogh.
French standard sizes for oil paintings refers to a series of different sized canvases for use by artists. The sizes were fixed in the 19th century. Most artists[weasel words]—not only French—used this standard, as it was supported by the main suppliers of artist materials. Only some contemporary artist material suppliers continue to use these standards today, as most artists no longer differentiate canvas sizes by subject.
The main separation from size 0 (toile de 0) to size 120 (toile de 120) is divided in separate runs for faces/portraits (figure), landscapes (paysage), and marines (marine) which more or less keep the diagonal. That is, a figure 0 corresponds in height to a paysage 1 and a marine 2.
In modern times in the USA size is usually stated height by width, where as in this article it is width by height. (Full article...) - Simon Hantaï (7 December 1922, Biatorbágy, Hungary – Paris, 12 September 2008; took French nationality in 1966) is a painter generally associated with abstract art. (Full article...)
- A binder or binding agent is any material or substance that holds or draws other materials together to form a cohesive whole mechanically, chemically, by adhesion or cohesion.
In a more narrow sense, binders are liquid or dough-like substances that harden by a chemical or physical process and bind fibres, filler powder and other particles added into it. Examples include glue, adhesive and thickening. (Full article...)
Избранные техники рисования
- Белая свинцовая пастилья на итальянской шкатулке, конец XV века, с Маркусом Курциусом слева, Британский музей .
Пастилья [paˈstiʎʎa] , итальянский термин, означающий «паста», представляет собой невысокий рельефный орнамент, обычно моделируемый из левкаса или белого свинца , применяемый для создания поверхности, которую затем можно позолочить, покрасить или оставить гладкой. Эта техника использовалась по-разному в Италии в эпоху Возрождения . Этот термин в основном встречается в английском языке и применяется к позолоченным работам на рамах для картин или небольших предметах мебели, таких как деревянные шкатулки и кассони , а также к участкам панно, но есть некоторые расхождения в значении термина между этими специальностями.
На рамах и мебели техника по происхождению более дешевая имитация резьбы по дереву ,техника резьбы по металлу или слоновой кости . В картинах эта техника дает области с трехмерным эффектом, обычно те, которые представляют собой неодушевленные объекты, такие как украшения листвы на архитектурном окружении, ореолы и детали одежды, а не части фигур. Тематика белой свинцовой пастилки на шкатулках обычно классическая, с особым акцентом на рассказы из древнеримской истории. ( Полная статья ... ) - Golden Pheasant and Cotton Rose Flowers with Butterflies (11th century) by Emperor Huizong of Song
Gongbi (simplified Chinese: 工笔; traditional Chinese: 工筆; pinyin: gōng bǐ; Wade–Giles: kung-pi) is a careful realist technique in Chinese painting, the opposite of the interpretive and freely expressive xieyi (寫意 'sketching thoughts') style.
The name is from the Chinese gong jin meaning 'tidy' (meticulous brush craftsmanship). The gongbi technique uses highly detailed brushstrokes that delimits details very precisely and without independent or expressive variation. It is often highly colored and usually depicts figural or narrative subjects. (Full article...) - 18"x34" powder painting by Jim Boles, homage to Wolf Kahn.
Powder painting is the art of using ground glass in powdered form to create kilnformed glass art. The process differs from enameling in many respects. Firstly, the powder is actually ground glass typically from a single manufacturer who supplies an extensive color palette. Large jars can be purchased which are fairly inexpensive compared to enamels, making large scale paintings possible
This technique is one variation of many ways to create images on glass using glass bits (frits), and in this case powder. (Full article...) - Captain Joseph' - Chinese reverse glass painting from c. 1785-9.
Reverse painting on glass is an art form consisting of applying paint to a piece of glass and then viewing the image by turning the glass over and looking through the glass at the image. Another term used to refer to the art of cold painting and gilding on the back of glass is verre églomisé, named after the French decorator Jean-Baptiste Glomy (1711–86), who framed prints using glass that had been reverse-painted. In German it is known as Hinterglasmalerei.
This art form has been around for many years. It was widely used for sacral paintings since the Middle Ages. The most famous was the art of icons in the Byzantine Empire. Later the painting on glass spread to Italy, where in Venice it influenced its Renaissance art. Since the middle of the 18th century, painting on glass became favored by the Church and the nobility throughout Central Europe. A number of clock faces were created using this technique in the early-to-mid-19th century. Throughout the 19th century painting on glass was widely popular as folk art in Austria, Bavaria, Moravia, Bohemia and Slovakia. Unfortunately, during the inter-war period (1914–1945) this traditional "naive" technique fell nearly to a complete oblivion and its methods of paint composition and structural layout had to be re-invented by combining acrylic and oil paints. A new method of reverse painting emerged using polymer glazing methods that permitted the artworks to be painted direct to an acrylic UV coating on the glass. The unique under glass effect retains a curious depth even though the layered painting on the glass was bonded to a final linen support and now stretcher bar mounted after being carefully removed from the original 'glass easel'. Current glass painting may disappear with the advent of using aerospace mylar as a preliminary support. (Full article...) - 'Cobweb' painting at Chester Cathedral.
Cobweb painting, sometimes known as gossamer painting, is the delicate process of painting on canvases made from caterpillar and spider webs that have been collected, layered, cleaned, and framed. Less than 100 cobweb paintings are known to exist, many of which are housed in private collections. (Full article...) - Xia Gui (Song dynasty) – Mountain Market- Clear with Rising Mist, one of the 8 scenes of the Eight Views of Xiaoxiang, a favourite subject in the Chinese ink wash painting tradition, showing the variety of effects achievable with black ink.
A wash is a term for a visual arts technique resulting in a semi-transparent layer of colour. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting.
The classic East Asian tradition of literati painting, that only uses black ink in various levels of dilution, is ink wash painting. This is used, especially for landscape painting, in Chinese painting, Japanese painting and Korean painting. (Full article...) - Westward the Course of Empire Takes Its Way mural was made using stereochromy technique
Mineral painting or Keim's process, also known as stereochromy, is a mural or fresco painting technique that uses a water glass-based paint to maximize the lifetime of the finished work.
The name "stereochromy" was first used in about 1825 by Johann Nepomuk von Fuchs and Schlotthaurer. In the original technique, pigments were applied to plaster or stone and sealed with water glass to preserve and enhance the colors. The method was then improved in the 1880s by Adolf Wilhelm Keim and renamed mineral painting or Keim's process. (Full article...) - U.S. President George W. Bush examines the details of a Yirrkala Bark Painting during a tour on September 6, 2007, of the Australian National Maritime Museum in Sydney.
Bark painting is an Australian Aboriginal art form, involving painting on the interior of a strip of tree bark. This is a continuing form of artistic expression in Arnhem Land and other regions in the Top End of Australia including parts of the Kimberley region of Western Australia. Traditionally, bark paintings were produced for instructional and ceremonial purposes and were transient objects. Today, they are keenly sought after by collectors and public arts institutions. (Full article...) - Giornata is an art term, originating from an Italian word which means "a day's work." The term is used in Buon fresco mural painting and describes how much painting can be done in a single day of work. This amount is based on the artist’s past experience of how much they can paint in the many hours available while the plaster remains wet and the pigment is able to adhere to the wall. (Full article...)
- A rotary atomizer is a paint applicator used in high volume automatic production painting environments. It can be mounted in a fixed position, reciprocating arm, or an industrial robot. Also called a 'paint bell', "rotary bell atomizer" or 'bell applicator', it is preferred for high volume paint application for its superior transfer efficiency, spray pattern consistency, and low compressed air consumption, when compared to a paint spray gun. (Full article...)
- Hanging scroll painting by Gao Qipei: Finger Painting of Eagle and Pine Trees. On display at the Shanghai Museum.
Fingerpaint is a kind of paint intended to be applied with the fingers; it typically comes in pots and is used by small children, though it has occasionally been used by adults either to teach art to children, or for their own use. (Full article...) - Interactive installation 'CIMs series, 2000 by Maurizio Bolognini
Generative art refers to art that in whole or in part has been created with the use of an autonomous system. An autonomous system in this context is generally one that is non-human and can independently determine features of an artwork that would otherwise require decisions made directly by the artist. In some cases the human creator may claim that the generative system represents their own artistic idea, and in others that the system takes on the role of the creator.
"Generative art" often refers to algorithmic art (algorithmically determined computer generated artwork) and synthetic media (general term for any algorithmically-generated media), but artists can also make it using systems of chemistry, biology, mechanics and robotics, smart materials, manual randomization, mathematics, data mapping, symmetry, tiling, and more. (Full article...) - The prophet Daniel from the Sistine Chapel ceiling.
According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, cangiante is one of four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and unione. The word itself derives from the Italian cangiare ("to change").
Cangiante is characterized by a change in color necessitated by an original color's darkness or lightness limitation. For example, when painting shadows on a yellow object, the artist may use a red color simply because the yellow paint cannot be made dark enough. There are other methods of rendering shadows or highlights (for example, mixing the original hue with black or brown), but these can render the shadow color dull and impure. During the Renaissance, the variety and availability of paint colors were severely limited. (Full article...) - Ceiling of the Treasure Room of the Archaeological Museum of Ferrara (Ferrara, Italy), painted in 1503–1506
Trompe-l'œil (/trɒmp ˈlɔɪ/ tromp LOY, French: [tʁɔ̃p lœj]; French for 'deceive the eye') is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. Forced perspective is a comparable illusion in architecture. (Full article...) - In two-dimensional works of art, such as painting, printmaking, photography or bas-relief, repoussoir (French: [ʁəpuswaʁ], pushing back) is an object along the right or left foreground that directs the viewer's eye into the composition by bracketing (framing) the edge. It became popular with Mannerist and Baroque artists, and is found frequently in Dutch seventeenth-century landscape paintings. Jacob van Ruisdael, for example, often included a tree along one side to enclose the scene (see illustration). Figures are also commonly employed as repoussoir devices by artists such as Paolo Veronese, Peter Paul Rubens and Impressionists such as Gustave Caillebotte. (Full article...)
- Amateur drip painting
Drip painting is a form of abstract art in which paint is dripped or poured on to the canvas. This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia, André Masson and Max Ernst, who employed drip painting in his works The Bewildered Planet, and Young Man Intrigued by the Flight of a Non-Euclidean Fly (1942). Ernst used the novel means of painting Lissajous figures by swinging a punctured bucket of paint over a horizontal canvas.
Drip painting found particular expression in the work of the mid-twentieth-century artists Janet Sobel and Jackson Pollock. Pollock found drip painting to his liking, later using the technique almost exclusively. He used unconventional tools like sticks, hardened brushes and even basting syringes to create large and energetic abstract works. Pollock used house or industrial paint to create his paintings—Pollock's wife Lee Krasner described his palette as "typically a can or two of … enamel, thinned to the point he wanted it, standing on the floor besides the rolled-out canvas" and that Pollock used Duco or Davoe and Reynolds brands of house paint. House paint was less viscous than traditional tubes of oil paint, and Pollock thus created his large compositions horizontally to prevent his paint from running. His gestural lines create a unified overall pattern that allows the eye to travel from one of the canvases to the other and back again. (Full article...) - Rangoli, a popular form of Indian Sand Paintings, in Singapore.
Sandpainting is the art of pouring coloured sands, and powdered pigments from minerals or crystals, or pigments from other natural or synthetic sources onto a surface to make a fixed or unfixed sand painting. Unfixed sand paintings have a long established cultural history in numerous social groupings around the globe, and are often temporary, ritual paintings prepared for religious or healing ceremonies. This form of art is also referred to as drypainting.
Drypainting is practised by Native Americans in the Southwestern United States, by Tibetan and Buddhist monks, as well as Indigenous Australians, and also by Latin Americans on certain Christian holy days. (Full article...)
Ink wash painting is a type of East Asian brush painting that uses the same black ink used in East Asian calligraphy in different concentrations. Emerging in Tang dynasty China (618–907), it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over the direct imitation. It flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Somewhat later, it became important in Korean painting.
In China and Japan, but much less so in Korea, ink wash painting formed a distinct stylistic tradition, with a different set of artists working in it from those doing other types of painting. Especially in China, it was a gentlemanly occupation associated with poetry and calligraphy, and often produced by the scholar-official or literati class, ideally illustrating their own poetry, and producing the paintings as gifts for friends or patrons, rather than painting for payment. In practice a talented painter often had a very useful advantage in climbing the bureaucratic ladder. Korean painters were less segregated, and more ready to paint in two techniques, and also to mix areas of colour with monochrome ink, for example in painting the faces of figures. (Full article...)- Madonna and Child by Duccio, tempera and gold on wood, 1284, Siena
Tempera (Italian: [ˈtɛmpera]), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by the invention of oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. (Full article...) - Dress coat painting is style of genre painting from the 18th century. Its name derives from a fashionable garment among the gentlemen of that period. (Full article...)
- The Ghent Altarpiece by Jan van Eyck and his brothers, 1432. A large altarpiece on panel. The outer wings are hinged, and painted on both sides.
A panel painting is a painting made on a flat panel made of wood, either a single piece, or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, it was the normal form of support for a painting not on a wall (fresco) or vellum, which was used for miniatures in illuminated manuscripts and paintings for the framing. (Full article...) - In art, prestezza is a painting technique that utilizes rapid brushstrokes to make impressions of faces and objects as opposed to painting them out in detail. The technique allows for faster painting and makes the undercoat an integral part of the painting itself. (Full article...)
- Fat over lean refers to the principle in oil painting of applying paint with a higher oil to pigment ratio ('fat') over paint with a lower oil to pigment ratio ('lean') to ensure a stable paint film, since it is believed that the paint with the higher oil content remains more flexible.[dead link]
Oil paint dries at different rates due to the differing drying properties of the constituent pigment. However, everything else being equal, the higher the oil to pigment ratio, the longer the oil binder will take to oxidize, and the more flexible the paint film will be. Conversely, the lower the oil content, the faster the paint dries, and the more brittle it will be. Ignoring this practice, even in some alla prima painting, may result in a cracked and less durable paint film.[dead link] (Full article...) - Carnation (Latin, caro, carnis, “flesh”), in painting, refers to the representation of color of flesh. It is also used in describing a painting or drawing to signify the undraped parts of a figure. (Full article...)
- Marouflage is a technique for affixing a painted canvas (intended as a mural) to a wall, using an adhesive that hardens as it dries, such as plaster or cement. (Full article...)
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Общие изображения
Ниже приведены изображения из различных статей в Википедии о живописи.
Джон Мартин , Манфред на Юнгфрау (1837), акварель
Макс Бекманн , Ночь (Die Nacht) , 1918–1919, Kunstsammlung Nordrhein-Westfalen , Дюссельдорф
Эдвард Хоппер 1942, американская картина сцены
Ласко , Лошадь
Картина, которой более 40 000 лет, животные сулавеси аноа и древние руки человека, Марос Пангкеп, Индонезия .
Морган Рассел , Космическая Синхромия (1913–14), Синхромизм
Анри Матисс 1909, поздний фовизм
Ласко , зубр ( Bos primigenius primigenius )
Рэй Бургграф , Арка джунглей (1998), акриловая краска по дереву
Диего Ривера , «Воссоздание человека на перекрестке» (переименованный в « Человек, контролирующий Вселенную» ), первоначально созданный в 1934 году, мексиканское движение мурализма
Пауль Клее , 1922 год, Баухаус
Жан Метцингер , Танец (Вакханка) (около 1906 г.), холст, масло, 73 x 54 см, Музей Креллер-Мюллер
Богиня-мать . Миниатюрная картина в стиле Пахари , датируемая восемнадцатым веком. Миниатюры Пахари и Раджпута имеют много общих черт.
Эдвард Мунк , 1893 год, ранний пример экспрессионизма
Пит Мондриан , Composition en rouge, jaune, bleu et noir (1921), Gemeentemuseum Den Haag
Жорж Сёра , Цирковое шоу ( французский : Parade de cirque ) (1887–88)
Пит Мондриан , "Композиция № 10" 1939–42, Де Стейл
Самая старая известная фигуративная картина - это изображение быка, обнаруженного в пещере Лубанг Джеджи Сале в Индонезии . Он был написан 40 000 лет назад или раньше.
Йоханнес Вермеер , ок. 1660
Рембрандт ван Рейн , Еврейская невеста , ок. 1665–1669
Чэнь Хуншоу (1598–1652), Живопись из альбома «Лист» ( династия Мин )
Кувшин с китайской росписью эпохи Западная Хань (202 г. до н.э. - 9 г. н.э.)
Наскальные изображения Гвиона Гвиона, найденные в северо-западном регионе Кимберли в Западной Австралии ок. 15000 г. до н.э.
Мушмула и горная птица , анонимный художник династии Южная Сун ; такие картины в стиле альбомных листов были популярны в «Южной песне» (1127–1279).
Будда Шакьямуни , по Чжан Shengwen , 1173-1176 н.э., Сунский период.
Император Цяньлун занимался каллиграфией , середина 18 века.
Куэва-де-лас-Манос (по-испански «Пещера рук») в провинции Санта-Крус в Аргентине, ок. 7300 г. до н.э.
Петроглифы из Швеции, скандинавский бронзовый век (роспись)
Пьер Боннар , 1913, европейская модернистская повествовательная живопись
Пиктограммы из Большой галереи, Национальный парк Каньонлендс, каньон Подкова , Юта , ок. 1500 г. до н. Э.
Джорджо де Кирико 1914, до- сюрреализм
Битва между Бимой и Кришной, пример современной индонезийской традиционной живописи.
Фрэнсис Пикабиа , (слева) портрет святых c'est de moi qu'il s'agit dans ce , 1 июля 1915 г .; (в центре) Portrait d'une jeune fille americaine dans l'état de nudité , 5 июля 1915 г .: (справа) J'ai vu et c'est de toi qu'il s'agit, De Zayas! Де Заяс! Je suis venu sur les rivages du Pont-Euxin , Нью-Йорк, 1915 г.
Скальные приюты Бхимбетки , наскальная живопись , каменный век , Индия
Художественное изображение группы носорогов было сделано в пещере Шове 30–32 000 лет назад.
Брайс Марден , 1966/1986, Монохромная картина
Сэссю Тёё , Пейзажи четырех времен года (1486), бумага, тушь и светлый цвет
Бизон , в большом зале поликромов, пещера Альтамира , Испания
Энкаустическая икона из монастыря Святой Екатерины , Египет (VI век)
Франсиско де Сурбаран , Натюрморт с керамическими кувшинами ( испанский : Bodegón de recipientes ) (1636), холст, масло, 46 x 84 см, Museo del Prado , Мадрид
Пещере Петтакере более 44000 лет, Марос , Южный Сулавеси , Индонезия.
Бхарат Мата по Абаниндранат Тагор (1871-1951), племянник поэта Рабиндраната Тагора , и пионер движения
Белый ангел (фреска), Милешева, Сербия
Молодая мама за шитьем , Мэри Кассат
Пещере Лубанг Джериджи Сале в Калимантане , Индонезия , одной из старейших известных фигуративных картин в мире, изображающей бык, датируется 40 000 лет.
Эфиопский освещен Евангелист портрет из Марка Евангелиста , из Эфиопии Garima Евангелий , 6 - ого столетия нашей эры, Королевство Аксум
Фабиан де ла Роса , Женщины, работающие на рисовом поле , 1902 год.
Картина на шелке , изображающая человека верхом на драконе , роспись по шелку , датируется V – IIIвекамидо нашей эры,период Воюющих царств , из гробницы Зиданку № 1 в Чанша , Хунань провинция
Марсель Дюшан , Обнаженная, спускающаяся по лестнице, № 2 , 1912 год, Художественный музей Филадельфии.
Период Муромати , Сингэй (1431–1485) , Осмотр водопада , Музей Нэдзу, Токио.
Эланд , наскальная живопись , Дракенсберг , ЮАР
Жоан Миро , Лошадь, Трубка и Красный Цветок , 1920, абстрактный сюрреализм, Художественный музей Филадельфии
Реза Аббаси , Двое влюбленных (1630)
Модель 1872 года « Впечатление, восход солнца» Клода Моне вдохновила на создание названия механизма.
Хуан Луна , Парижская жизнь , 1892 г.
Мона Лиза (1503-1517) от Леонардо да Винчи является одним из самых узнаваемых картин в мире.
Скальные приюты Бхимбетки , наскальная живопись , каменный век , Индия
Жан де Кур (приписывается), подробно расписанная лиможская эмалевая тарелка (середина 16 века), Waddesdon Bequest , Британский музей
Нино Пизано , Апеллес, или искусство живописи в деталях (1334–1336); рельеф колокольни Джотто во Флоренции , Италия
Патрик Генри Брюс , американский модернизм , 1924 год.
Фреска, на которой изображены Аид и Персефона, едущие в колеснице , из гробницы царицы Македонской Эвридики I в Вергине , Греция, 4 век до н.э.
Крещение Христа на средневековой нубийской картине из Старой Донголы
Доисторическая наскальная живопись зубров ( французский язык : Bos primigenius primigenius )), Ласко , Франция
Испанская наскальная живопись быков
Морис Квентин де Ла Тур , Портрет Людовика XV Французского (1748 г.), пастель
Ласко , Быки и лошади
«Весеннее утро во дворце Хань». Художник эпохи Мин Цю Ин (1494–1552 гг.)
Греческая терракотовая надгробная роспись в эллинистическом стиле , III век до н.э.
Макс Эрнст , 1920 год, ранний сюрреализм
Фреска из пещеры 1 Аджанты.
Отто Марсей ван Шрик , Натюрморт на лесной подстилке (1666)
Книга часов
Грант Вуд , 1930, соцреализм
Андреас Ахенбах , Расчистка, побережье Сицилии (1847), Художественный музей Уолтерса
Оноре Домье , Художник (1808–1879), масло на панели, видимые мазки
Вечный Отец, рисующий Богородицу Гваделупскую . Приписывается Хоакину Вильегасу (1713 г. - работал в 1753 г.) (мексиканец) (художник, Национальный музей искусства .
Два писца, сидящие с книгами и письменным столом. Фрагмент декоративного поля Северная Индия (школа Великих Моголов), ок. 1640–1650
Категории
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▼ Живопись
► Живопись по культуре
► Живопись в стиле барокко
► Католическая живопись
► Консервация и реставрация картин
► Покраска подделок
► Пейзажная живопись
► Анимационные фильмы, нарисованные на стекле
► Художники
► Споры о живописи
► Лакокрасочные материалы
► Списки, связанные с рисованием
► Картины
► Покраска панно
► Техника рисования
► Работы по живописи
► Заготовки для покраски
Темы
Общие темы живописи
- Западная живопись 20 века
- Абстрактное искусство
- Случайность (живопись)
- Животное искусство
- Архитектурная живопись
- Связующее (материал)
- Бостонский экспрессионизм
- Бостонская школа (живопись)
- Роспись кабинета
- Книжка-раскраска
- Комбинируйте живопись
- Консервация и реставрация картин
- Консервация и реставрация панно
- Цифровая живопись
- На пленэре
- Фигура змеевидная
- Рисование фигур
- Плоскость (искусство)
- Французские стандартные размеры для картин маслом
- Жанровое искусство
- Жанровая живопись
- Призрачный знак
- Грандиозная манера
- Иерархия жанров
- Исторический анализ краски
- Маляр и декоратор
- Резная живопись
- Inscape (визуальное искусство)
- Система ISCC – NBS
- Приз Джервуда Живописи
- Letras y figuras
- Живая живопись
- Местный колорит (изобразительное искусство)
- Смешанная техника
- Фреска
- Ночь в картинах (восточное искусство)
- Ночь в картинах (западное искусство)
- Ноктюрн (живопись)
- Обнаженная (искусство)
- Картина маслом
- Репродукция картины маслом
- Апельсиновая корка (эффект)
- Overdoor
- Лакокрасочная промышленность
- Paint Dancing
- Малярный робот
- Живописность
- История живописи
- Панорама (искусство)
- Peintres de la Réalité
- Подвесная картина
- Пентименто
- Фоторамка
- Pinxit
- Pliage
- Портретная живопись
- Прайм версия
- Изображение проблемы
- Сгребающий свет
- Покраска дальномера
- Шотландское жанровое искусство
- Автопортрет
- Вывеска живопись
- Подписчик
- Персонал
- Стиль (изобразительное искусство)
- Тенебризм
- Теория живописи
- Тондо (искусство)
- Объем твердый
- Стирка (изобразительное искусство)
- Акварельная живопись
- Западная живопись
Техника рисования
- Техники росписи акрилом
- Живопись действия
- Аэрограф
- Аль-Катт Аль-Асири
- Ателье
- Роспись коры
- Рисование мозга
- Brunaille
- Буон фреска
- Cangiante
- Гвоздика (живопись)
- Керамическая глазурь
- Китайская живопись
- Искусство паутины
- Картина из паутины
- Ян Кук (художник)
- Кракелюр
- Смута (краска)
- Двусторонняя роспись
- Покраска платья пальто
- Капельная покраска
- Сухая кисть
- Электростатическое покрытие
- Энкаустическая живопись
- Жир над постным
- Рисование фигур (хобби)
- Fingerpaint
- Передняя окраска
- Работа кистью от руки
- Фреска
- Фресковая живопись
- Фреско-секко
- Процесс Гамбье-Парри
- Генеративное искусство
- Джорната
- Глазурь (техника росписи)
- Размер клея
- Гунби
- Граффити
- Зернистость
- Гризайль
- Хабоку
- Иллюзионизм (искусство)
- Иллюзионистическая роспись потолка
- Импасто
- Имприматура
- Промышленная окраска
- Картина смывкой тушью
- Intonaco
- Процесс Кейма
- Лаковая роспись
- Листовая роспись
- Облизали финиш
- Подкладка картин
- Маки-э
- Маруфляж
- Маскировка (искусство)
- Матовая покраска
- Микробное искусство
- Минеральная живопись
- Mischtechnik
- Покраска пресс-форм
- Раскраска рта и ступней
- Ноктюрн (живопись)
- Notan
- Эскиз маслом
- Омбре
- Перекрашивание
- Чрезмерное распыление
- Раскрась по номерам
- Живопись
- Картина
- Панно
- Папье Колле
- Пастилья
- Ручная роспись
- Завиток
- Пуантилизм
- Полихромия
- Порошковая покраска
- Prestezza
- Protoquadro
- Quadratura
- Quadro riportato
- Repoussoir
- Роспись обратного стекла
- Rosemåling
- Роспись вращающегося колокола
- Песочная живопись
- Сфумато
- Формованный холст
- Сигадзику
- Роспись по шелку
- Линия скорости
- Скоростная покраска
- Безопасность аэрозольной краски
- Покраска распылением
- Темпера
- Текстура (живопись)
- Трафарет теоремы
- Trompe-l'œil
- Андерграунд
- Подмалевок
- Unione
- Бархатная роспись
- Вердаччо
- Verdaille
- Витреография (вид искусства)
- Стирка (изобразительное искусство)
- Акварельная живопись
- Мокрый по мокрому
- Работа в слоях
Связанная Викимедиа
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