Love


Love encompasses a range of strong and positive emotional and mental states, from the most sublime virtue or good habit, the deepest interpersonal affection, to the simplest pleasure.[1][2] An example of this range of meanings is that the love of a mother differs from the love of a spouse, which differs from the love for food. Most commonly, love refers to a feeling of a strong attraction and emotional attachment.[3][4][additional citation(s) needed]

Love is considered to be both positive and negative, with its virtue representing human kindness, compassion, and affection, as "the unselfish loyal and benevolent concern for the good of another" and its vice representing human moral flaw, akin to vanity, selfishness, amour-propre, and egotism, as potentially leading people into a type of mania, obsessiveness or codependency.[5][6] It may also describe compassionate and affectionate actions towards other humans, one's self, or animals.[7] In its various forms, love acts as a major facilitator of interpersonal relationships and, owing to its central psychological importance, is one of the most common themes in the creative arts.[8] Love has been postulated to be a function that keeps human beings together against menaces and to facilitate the continuation of the species.[9]

Ancient Greek philosophers identified six forms of love: essentially, familial love (in Greek, Storge), friendly love or platonic love (Philia), romantic love (Eros), self-love (Philautia), guest love (Xenia), and divine love (Agape). Modern authors have distinguished further varieties of love: unrequited love, empty love, companionate love, consummate love, infatuated love, self-love, and courtly love. Numerous cultures have also distinguished Ren, Yuanfen, Mamihlapinatapai, Cafuné, Kama, Bhakti, Mettā, Ishq, Chesed, Amore, Charity, Saudade (and other variants or symbioses of these states), as culturally unique words, definitions, or expressions of love in regards to a specified "moments" currently lacking in the English language.[10][11][12]

Scientific research on emotion has increased significantly over the past two decades. The color wheel theory of love defines three primary, three secondary and nine tertiary love styles, describing them in terms of the traditional color wheel. The triangular theory of love suggests "intimacy, passion and commitment" are core components of love. Love has additional religious or spiritual meaning. This diversity of uses and meanings combined with the complexity of the feelings involved makes love unusually difficult to consistently define, compared to other emotional states.

The word "love" can have a variety of related but distinct meanings in different contexts. Many other languages use multiple words to express some of the different concepts that in English are denoted as "love"; one example is the plurality of Greek concepts for "love" (agape, eros, philia, storge) .[13] Cultural differences in conceptualizing love thus doubly impede the establishment of a universal definition.[14]

Although the nature or essence of love is a subject of frequent debate, different aspects of the word can be clarified by determining what isn't love (antonyms of "love"). Love as a general expression of positive sentiment (a stronger form of like) is commonly contrasted with hate (or neutral apathy). As a less-sexual and more-emotionally intimate form of romantic attachment, love is commonly contrasted with lust. As an interpersonal relationship with romantic overtones, love is sometimes contrasted with friendship, although the word loveis often applied to close friendships or platonic love. (Further possible ambiguities come with usages "girlfriend", "boyfriend", "just good friends").


Romeo and Juliet, depicted as they part on the balcony in Act III, 1867 by Ford Madox Brown
Fraternal love (Prehispanic sculpture from 250 to 900 AD, of Huastec origin). Museum of Anthropology in Xalapa, Veracruz, Mexico
Pair of Lovers. 1480–1485
Grandmother and grandchild in Sri Lanka
Wall of Love on Montmartre in Paris: "I love you" in 250 languages, by calligraphist Fédéric Baron and artist Claire Kito (2000)
Roman copy of a Greek sculpture by Lysippus depicting Eros, the Greek personification of romantic love
(Mandarin: ài), the traditional Chinese character for love contains a heart () in the middle.
The love stories of the Hindu deities Krishna and Radha have influenced the Indian culture and arts. Above: Radha Madhavam by Raja Ravi Varma.
Robert Indiana's 1977 Love sculpture spelling ahava
Love and not a one-way street in romanticism
In Islam, one of the 99 names of God is Al-Wadūd, which means "The Loving"
Kama (left) with Rati on a temple wall of Chennakesava Temple, Belur